{"id":2426,"date":"2021-05-10T18:00:48","date_gmt":"2021-05-10T16:00:48","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=2426"},"modified":"2021-06-07T12:00:24","modified_gmt":"2021-06-07T10:00:24","slug":"en-savoir-2021-06-10-11","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2021-06-10-11\/","title":{"rendered":"en savoir + 2021.06.10-11"},"content":{"rendered":"\t\t
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Juin 2021<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jeudi 10 \u00e0 20h21
Vendredi 11 \u00e0 20h21 <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Nathana\u00ebl Gouin \u2022 piano<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Programme<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sebastian Bach \u2022 Cappriccio sur le d\u00e9part du fr\u00e8re bien aim\u00e9 BWV992
Georges Bizet \u2022 Nocturne en r\u00e9 Majeur
Georges Bizet\/Nathana\u00ebl Gouin \u2022 Venise
Franz Liszt \u2022 Venezia et Napoli
Camille Saint Saens \u2022 1er mouvement du concerto n*2 ( transcription Bizet )
Camille Saint Saens \u2022 Etude en forme de valse<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Paru en septembre 2020, son deuxi\u00e8me disque r\u00e9cital \u00ab\u00a0Bizet sans Paroles\u00a0\u00bb (Mirare) est encens\u00e9 par la critique et se voit r\u00e9compens\u00e9 d\u2019un Diapason d\u2019or alors que le Monde y voit \u00ab\u00a0la confirmation d\u2019un magnifique musicien\u00a0\u00bb et \u00ab\u00a0une ind\u00e9niable r\u00e9ussite\u00a0\u00bb. Le premier album de Nathana\u00ebl Gouin, Liszt Macabre, paru en 2017 avait d\u00e9j\u00e0 suscit\u00e9 des r\u00e9actions enthousiastes des critiques. Pour Diapason, \u00ab\u00a0Liszt Macabre se signale autant par la pertinence du programme\u00a0que la perfection de la r\u00e9alisation\u00a0\u00bb alors que, selon Classica (qui lui d\u00e9cerne un Choc), \u00ab\u00a0ce fun\u00e8bre registre lui permet d\u2019exprimer tout son talent, lumineux !\u00a0\u00bb Incontestablement, Nathana\u00ebl Gouin figure comme l\u2019une des voix les plus originales ayant \u00e9merg\u00e9 sur la sc\u00e8ne musicale de ces derni\u00e8res ann\u00e9es.
La grande pianiste Portuguaise Maria Jo\u00e3o Pires le d\u00e9couvre en 2014 et le pr\u00e9sente au public dans le cadre du projet Partitura, concept r\u00e9unissant diff\u00e9rentes g\u00e9n\u00e9rations de musiciens dans le partage de la sc\u00e8ne, donnant lieu \u00e0 d\u2019importantes tourn\u00e9es en Europe et au Japon. Nathana\u00ebl Gouin est devenu un soliste recherch\u00e9, se produisant en Europe, Asie, ou encore aux \u00c9tats-Unis. Il est invit\u00e9 dans des salles prestigieuses telles que la grande Salle Pierre Boulez de la Philharmonie de Paris et la Cit\u00e9 de la musique \u00e0 Paris, La Seine Musicale \u00e0 Boulogne-Billancourt, la Salle Rameau \u00e0 Lyon, Bozar et la Salle Flagey \u00e0 Bruxelles, sans oublier des festivals tels que ceux de La Roque d\u2019Anth\u00e9ron, de Radio France Montpellier, ou encore Les Fl\u00e2neries musicales de Reims, Piano aux Jacobins \u00e0 Toulouse, Les Folles Journ\u00e9es de Nantes Tokyo Varsovie ou Ekaterinbourg, ainsi que la Salle Bourgie de Montr\u00e9al.
Dans le domaine du concerto, Nathana\u00ebl Gouin cultive un r\u00e9pertoire large et curieux, ce qui lui vaut des collaborations stimulantes avec de nombreuses formations : le Philharmonique de Li\u00e8ge, l\u2019ensemble Les Si\u00e8cles, le New Japan Philharmonic, l\u2019Orchestre National d\u2019\u00cele-de-France, le Brussels Philharmonic, le Sinfonia Varsovia, ou encore le Ch\u0153ur de Radio France. C\u2019est en 2016 que para\u00eet l\u2019enregistrement du Concerto pour piano et orchestre d\u2019Edouard Lalo avec le Philharmonique de Li\u00e8ge plac\u00e9 sous la direction de Jean-Jacques Kantorow (Label Outhere), disque qui re\u00e7oit les meilleures critiques.
La musique de chambre est \u00e9videmment tr\u00e8s pr\u00e9sente dans sa vie artistique et il est le partenaire r\u00e9gulier de grands interpr\u00e8tes tels que Augustin Dumay, Jos\u00e9 Van Dam, Raphael S\u00e9v\u00e8re ou J\u00e9rome Pernoo. Il a par ailleurs fond\u00e9 un duo avec le violoniste Guillaume Chilemme, dont les enregistrements Ravel et Schubert (Apart\u00e9) ont \u00e9t\u00e9 remarqu\u00e9s ainsi qu\u2019un trio avec le violoncelliste Yan Levionnois et Guillaume Chilemme (album Beethoven Korngold – Mirare).
Il est fr\u00e9quemment invit\u00e9 des programmes t\u00e9l\u00e9visuels telles que les Victoires de la musique Classique (France 3) et dans les \u00e9missions de Radio Classique et France Musiques.
Nathana\u00ebl Gouin commence l\u2019\u00e9tude du piano et du violon \u00e0 l\u2019\u00e2ge de 3 ans. Form\u00e9 au Conservatoire de Toulouse et de Paris, \u00e0 la Julliard School de New York, mais \u00e9galement aux Hochschulen f\u00fcr Musik de Fribourg-en-Brisgau et de Munich, l\u2019Acad\u00e9mie Musicale de Villecroze, ainsi que quatre ann\u00e9es de r\u00e9sidence \u00e0 la Chapelle Reine Elisabeth. Il a ainsi re\u00e7u les conseils de grands musiciens tels que Maria-Joao Pires, Jean-Claude Pennetier, Avedis Kouyoumdian, Denis Pascal, Rena Shereshevskaya, Michel Dalberto, Louis Lortie ou encore Dimitri Bashkirov. Laur\u00e9at de nombreux concours internationaux, tel que le Concours Johannes Brahms \u00e0 P\u00f6rtschach en Autriche (Premier Prix), le Concours de duos de Su\u00e8de (Premier Prix), ou encore le Concours de Musique de chambre de Lyon, il est de plus laur\u00e9at de la Fondation d\u2019entreprise Banque Populaire, de la Fondation Meyer et est artiste-r\u00e9sident \u00e0 la Fondation Singer-Polignac.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Juin 2021 Jeudi 10 \u00e0 20h21Vendredi 11 \u00e0 20h21 infos pratiques Nathana\u00ebl Gouin \u2022 piano Programme Sebastian Bach \u2022 Cappriccio sur le d\u00e9part du fr\u00e8re bien aim\u00e9 BWV992Georges Bizet \u2022 Nocturne en r\u00e9 MajeurGeorges Bizet\/Nathana\u00ebl Gouin \u2022 VeniseFranz Liszt \u2022 Venezia et NapoliCamille Saint Saens \u2022 1er mouvement du concerto n*2 ( transcription Bizet )Camille […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2426","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2021.06.10-11 - 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