{"id":2831,"date":"2021-06-16T14:43:24","date_gmt":"2021-06-16T12:43:24","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=2831"},"modified":"2021-07-14T23:10:53","modified_gmt":"2021-07-14T21:10:53","slug":"en-savoir-2021-07-31","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2021-07-31\/","title":{"rendered":"en savoir + 2021.07.31"},"content":{"rendered":"\t\t
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Juillet\/Ao\u00fbt 2021<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Samedi 31 juillet \u00e0 20h21
Dimanche 1er Ao\u00fbt \u00e0 11h<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Alice Pi\u00e9rot \u2022 violon
Lucile Boulanger \u2022 viole de gambe
Dominique Serve \u2022 clavecin et orgue<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLucile Boulanger \u2022 viole de gambe<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

D\u2019une enfance de jeune com\u00e9dienne, Lucile Boulanger a gard\u00e9 un go\u00fbt et un plaisir \u00e0 modeler le discours, \u00e0 phraser les \u00e9motions. C\u2019est cette justesse m\u00eame que l\u2019apprentissage pr\u00e9coce de la viole de gambe vient accentuer : \u00e9paul\u00e9e par ses professeurs (Ariane Maurette, Christine Plubeau, J\u00e9r\u00f4me Hantai, Christophe Coin), Lucile s\u2019immerge dans l\u2019asc\u00e8se joyeuse requise par la viole. Son exigence lui ouvre les portes du CNSM de Paris, dont elle sort en 2009 avec les plus hautes distinctions, et se voit r\u00e9compens\u00e9e de plusieurs prix internationaux (Concours Bach-Abel de K\u00f6then, Societ\u00e0 Umanitaria de Milan, Musica Antiqua de Brugge).<\/p>

Aff\u00fbtant sa pratique sur diff\u00e9rentes pierres, Lucile Boulanger trouve autant de bonheur \u00e0 m\u00ealer la voix de sa viole aux polyphonies du consort (L\u2019Ach\u00e9ron, Ricercar Consort, Musicall Humors) et au continuo op\u00e9ratique (Pygmalion, Correspondances, Les Talens Lyriques, etc…), qu\u2019\u00e0 l\u2019exercice rigoureux du r\u00e9cital en France et \u00e0 l\u2019\u00e9tranger. Tant\u00f4t accompagnant, tant\u00f4t accompagn\u00e9e, ses collaborations avec les interpr\u00e8tes les plus en vue nourrissent son imaginaire et sa curiosit\u00e9 (Philippe Pierlot, Christophe Rousset, Justin Taylor, Claire Lefilliatre, Lucile Richardot, Fran\u00e7ois Lazarevitch, Alexis Kossenko, etc…).<\/p>

Ses enregistrements (Sonates de Bach ou C.P.E. Bach-Graun-Hesse avec Arnaud de Pasquale) sont salu\u00e9s par la critique et font l\u2019objet de nombreuses r\u00e9compenses (Diapason, fffff, Choc de Classica, Coup de Coeur Charles Cros). Son dernier disque consacr\u00e9 \u00e0 Forqueray et \u00e0 des transcriptions de sonates italiennes de violon fait dire \u00e0 la critique \u00ab tant\u00f4t, c\u2019est l\u2019\u00e9nergie qui vous bouscule, tant\u00f4t la caresse qui vous fait frissonner, tant\u00f4t l\u2019\u00e9motion nue qui vous bouleverse, mais c\u2019est partout la m\u00eame justesse, la m\u00eame densit\u00e9. \u00bb. Le BBC Music Magazine juge ce dernier disque \u00ab irr\u00e9sistible \u00bb, et compare sa libert\u00e9 de jeu \u00e0 celle de Jacqueline du Pr\u00e9.<\/p>

A contre-courant d\u2019une s\u00e9dimentation des pratiques actuelles de la musique ancienne, Lucile Boulanger se refuse \u00e0 ne voir en la viole que le vaisseau d\u2019une tradition esth\u00e9tique r\u00e9volue. Aussi ses projets en cours visent-ils \u00e0 \u00e9toffer et \u00e9manciper le r\u00e9pertoire contemporain de la viole, en passant commande d\u2019oeuvres et en faisant la part belle dans ses programmes \u00e0 celles qui existent d\u00e9j\u00e0 (notamment chez Hersant). Des compositions lui sont d\u2019ores et d\u00e9j\u00e0 d\u00e9di\u00e9es.<\/p>

http:\/\/www.lucileboulanger.com<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDominique Serve \u2022 clavecin<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Dominique Serve a \u00e9tudi\u00e9 l\u2019orgue avec Xavier Darasse \u00e0 Toulouse et avec Harald Vogel en Allemagne du Nord. Il a c\u00f4toy\u00e9 des facteurs d\u2019orgue importants, tels que Jean-Loup Boisseau, J\u00fcrgen Ahrend, Bertrand Cattiaux, Pascal Quoirin, Gene Bedient et a ainsi d\u00e9velopp\u00e9 une grande connaissance en facture d\u2019orgue.<\/span><\/p>

Il a jou\u00e9 dans de nombreux festivals (Saintes, Poitiers, Avignon, Venise, Madrid <\/span>Casa de Velasquez<\/span>…), ainsi qu’\u00e0 Paris (Notre-Dame), Toulouse, Lyon, et a r\u00e9alis\u00e9 plusieurs tourn\u00e9es aux U.S.A. Avec l\u2019ensemble Les Temps Pr\u00e9sents qu\u2019il a fond\u00e9, il a d\u00e9velopp\u00e9 des collaborations r\u00e9guli\u00e8res avec le Centre de Musique Baroque de Versailles <\/span>(Amadis<\/span> de Lully, Requiem de Campra, <\/span>Tancr\u00e8de<\/span> de Campra<\/span>, David et Jonathas<\/span> de M.A. Charpentier, productions qui ont \u00e9t\u00e9 dirig\u00e9es par <\/span>Olivier Schneebeli)<\/span>.<\/span><\/p>

Jos\u00e9 Van Dam, Jean-Claude-Malgoire, Dominique Vellard, William Dongois, Olivier Schneebeli, Alice Pi\u00e9rot, Lucile Boulanger, Monique Zanetti, No\u00e9mi Rime, Fran\u00e7ois Bazola font partie des musiciens remarquables avec lesquels il a partag\u00e9 sa passion de la musique, en petit effectif ou avec l\u2019ensemble Les Temps Pr\u00e9sents. Depuis 2000, il donne des concerts d\u2019improvisation avec Louis Sclavis,\u00a0ainsi qu’avec Michel Godard et d\u00e9veloppe son activit\u00e9 de cr\u00e9ation.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alice Pi\u00e9rot met l’essentiel de son \u00e9nergie rayonnante au service de la musique. Dipl\u00f4m\u00e9e du CNSM de Lyon, laur\u00e9ate de concours internationaux de musique de chambre, Alice Pi\u00e9rot s’oriente vers la musique baroque en 1988. Elle sera Violon-solo des Musiciens du Louvre de Marc Minkowski pendant de nombreuses ann\u00e9es puis du Concert Spirituel d’Herv\u00e9 Niquet. <\/span><\/p>

Invit\u00e9e privil\u00e9gi\u00e9e de l’ensemble \u00ab\u00a0Amarillis\u00a0\u00bb dont elle est le Premier-violon, elle consacre aujourd’hui la plus grande grande part de son activit\u00e9 \u00e0 la musique de chambre. (Amarillis, Les inAttendus, Trio Anpapi\u00e9, duo avec la \u00ab\u00a0pianofortiste\u00a0\u00bb Aline Zylberajch, \u2026).<\/p>

Alice Pi\u00e9rot \u00a0enregistre r\u00e9guli\u00e8rement pour les radios fran\u00e7aises et europ\u00e9ennes, et poss\u00e8de une discographie riche de plus de cinquante enregistrements, parmi lesquels celui des Sonates du Rosaire de Biber (label Alpha) r\u00e9compens\u00e9 en 2003 d\u2019un Diapason d\u2019or de l\u2019ann\u00e9e.<\/span><\/p>

Plut\u00f4t des champs que de la ville, c’est en b\u00e2tisseuse qu’elle investit en 2002 une ancienne usine proche d\u2019Avignon et la transforme en vaste vaisseau musical. <\/span>La Courroie <\/span>accueille aujourd\u2019hui concerts, r\u00e9sidences, cr\u00e9ations et enregistrements, exp\u00e9rimente de nouvelles formes de diffusion et de pratiques de la musique, de la plus ancienne \u00e0 la plus contemporaine. Alice Pi\u00e9rot y fonde l’Orchestre du jour, un orchestre de \u00ab\u00a0proximit\u00e9\u00a0\u00bb, alliant sobri\u00e9t\u00e9 \u00e9nerg\u00e9tique, coll\u00e9gialit\u00e9 et haute qualit\u00e9 musicale. <\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Dietrich BUXTEHUDE<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sonatae a due<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Programme<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dietrich Buxtehude<\/strong> (1637-1707)
Praeludium Buxwv 163
Sonate III Op 1
Sonate VI op 1
Jan Pieterszoon Sweelinck<\/strong> (1562-1621)
Pavana Lachrimae
Dietrich Buxtehude<\/strong>
Sonate IV Op 1
Sonate V Op 2<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Juillet\/Ao\u00fbt 2021 Samedi 31 juillet \u00e0 20h21 Dimanche 1er Ao\u00fbt \u00e0 11h Alice Pi\u00e9rot \u2022 violonLucile Boulanger \u2022 viole de gambeDominique Serve \u2022 clavecin et orgue Lucile Boulanger \u2022 viole de gambe D\u2019une enfance de jeune com\u00e9dienne, Lucile Boulanger a gard\u00e9 un go\u00fbt et un plaisir \u00e0 modeler le discours, \u00e0 phraser les \u00e9motions. C\u2019est […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2831","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2021.07.31 - lacourroie<\/title>\n<meta name=\"description\" content=\"%\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lacourroie.org\/index.php\/en-savoir-2021-07-31\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"en savoir + 2021.07.31 - lacourroie\" \/>\n<meta property=\"og:description\" content=\"%\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lacourroie.org\/index.php\/en-savoir-2021-07-31\/\" \/>\n<meta property=\"og:site_name\" content=\"lacourroie\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-14T21:10:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lacourroie.org\/wp-content\/uploads\/2021\/06\/Buxtehude-Boulanger-Serve-Pierot-300x127.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/lacourroie.org\\\/index.php\\\/en-savoir-2021-07-31\\\/\",\"url\":\"https:\\\/\\\/lacourroie.org\\\/index.php\\\/en-savoir-2021-07-31\\\/\",\"name\":\"en savoir + 2021.07.31 - 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