{"id":2959,"date":"2021-08-18T22:51:52","date_gmt":"2021-08-18T20:51:52","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=2959"},"modified":"2022-01-29T14:23:02","modified_gmt":"2022-01-29T13:23:02","slug":"en-savoir-2022-01-29","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2022-01-29\/","title":{"rendered":"en savoir + 2022.01.29"},"content":{"rendered":"\t\t
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Samedi 29 Janvier 2022 \u00e0 20h22<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Illuminations\"<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mozart \/ Britten<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Julia Wischniewski \u2022 soprano<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Quatuor B\u00e9la<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fr\u00e9d\u00e9ric Aurier & Julien Dieudegard \u2022 violons
Julian Boutin \u2022 alto
Luc Dedreuil \u2022 violoncelle<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab\u00a0J’ai tendu des cordes de clocher \u00e0 clocher\u00a0; des guirlandes de fen\u00eatre \u00e0 fen\u00eatre\u00a0; des cha\u00eenes d’or d’\u00e9toile \u00e0 \u00e9toile, et je danse.\u00a0\u00bb<\/em> Arthur Rimbaud<\/p>

Tout ram\u00e8ne \u00e0 la jeunesse et \u00e0 la clart\u00e9 dans ce programme qui r\u00e9unit les cordes du Quatuor B\u00e9la et la voix lumineuse de Julia Wischniewski. Mozart et Britten, \u00e9toiles \u00e9ternelles de l’op\u00e9ra, d\u00e9montrent ici leur amour pour la voix et leur insolente virtuosit\u00e9 d\u2019\u00e9criture.<\/p>

Dans \u00ab Illuminations \u00bb, le style tr\u00e9pidant et suave de Britten suit \u00e0 merveille le texte incandescent \u00e9crit par un g\u00e9nie d’\u00e0 peine 18 ans, Arthur Rimbaud. De la lumi\u00e8re encore dans les quatuors de Britten qui figurent sans nul doute parmi les \u0153uvres majeures de cette formation qui n’en manque pourtant pas.\u00a0
Mozart, lui, donne \u00e0 entendre toute la force op\u00e9ratique de son talent dans cet air de concerto, v\u00e9ritable morceau de bravoure pour la chanteuse. Son quatuor \u00ab\u00a0Milanais\u00a0\u00bb en sol Majeur date de son second s\u00e9jour en Italie. Mozart a 17 ans, il signe l\u00e0 son premier chef d’\u0153uvre du genre, le magnifique mouvement lent est une ode au bel canto qu’il \u00e9coute avidement tous les soirs \u00e0 La Scala.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Programme<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wolfgang Amadeus MOZART<\/strong>
Quatuor n\u00b03 \u00ab Milanais \u00bb en Sol Majeur K 156 (1772)
Presto \u2022 Adagio \u2022 Tempo di Minuetto <\/span><\/p>\n

Benjamin BRITTEN<\/strong> <\/span>
Three Divertimenti<\/span>
March \u2022 Waltz \u2022 Burlesque<\/span><\/p>\n

Wolfgang Amadeus MOZART<\/strong> <\/span>
\u00ab Ah se in ciel, benigne stelle\u00a0\u00bb K538<\/span><\/span><\/p>\n

Benjamin BRITTEN<\/strong> sur des po\u00e8mes d\u2019Arthur RIMBAUD<\/strong> <\/span>
\u00ab Illuminations \u00bb Opus 18 (1939)<\/span>
Version pour quatuor et voix.<\/span>
Fanfare \u2022 Villes\u2022 Phrase \u2022 Antique \u2022 Royaut\u00e9 \u2022 Marine \u2022 Interlude \u2022 Being Beauteous \u2022 Parade \u2022  D\u00e9part<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Quatuor B\u00e9la<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab\u00a0Depuis 15 ans, \u201cles enfants terribles du quatuor fran\u00e7ais \u201d \u00e9crivent un parcours singulier, entre tradition et modernit\u00e9.\u00a0\u00bb<\/em><\/span><\/strong><\/p>

Attach\u00e9s au r\u00e9pertoire ancien du quatuor \u00e0 cordes, qu\u2019ils d\u00e9fendent au sein des programmations classiques d\u2019excellence en France et \u00e0 l\u2019\u00e9tranger (Philharmonie de Paris, Th\u00e9\u00e2tre Mariinsky, BeethovenFest\u2026), les musiciens du quatuor B\u00e9la ont \u00e0 c\u0153ur d\u2019inscrire la tradition du quatuor \u00e0 cordes dans la vie musicale contemporaine<\/strong>.<\/span>
Leur travail de commandes et de cr\u00e9ations <\/strong>en lien avec des compositeurs de diff\u00e9rentes g\u00e9n\u00e9rations (Philippe LEROUX, Francesco FILIDEI, Benjamin de la FUENTE, Jean-Pierre DROUET, Fran\u00e7ois SARHAN, Daniel D\u2019ADAMO, Thierry BLONDEAU, marco STROPPA, J\u00e9r\u00f4me COMBIER, Garth KNOX, Bruno DUCOL, Noriko BABA, Karl NAEGELEN, Fr\u00e9d\u00e9ric AURIER, Robert HP PLATZ, Aurelio EDLER-COPES, Fr\u00e9d\u00e9ric PATTAR \u2026) a \u00e9t\u00e9 couronn\u00e9 en 2015 par le Prix de la Presse Musicale Internationale<\/strong>.<\/span>
C\u2019est avec une conviction sinc\u00e8re, guid\u00e9 par la personnalit\u00e9 et l\u2019\u0153uvre de B\u00e9la Bartok, que le quatuor imagine des rencontres avec des personnalit\u00e9s \u00e9clectiques. En t\u00e9moigne \u201cSi oui, oui. Sinon non\u201d avec le rockeur culte Albert Marc\u0153ur, \u201cImpressions d\u2019Afrique\u201d avec l\u2019immense griot Moriba Ko\u00efta, \u201cJadayel\u201d en compagnie des ma\u00eetres palestiniens Ahmad Al Khatib et Youssef Hbeisch\u2026<\/span>
Le jeu du quatuor B\u00e9la, reconnu pour sa \u201ctechnique diabolique<\/strong>\u201d (T\u00e9l\u00e9rama) et son engagement musical<\/strong>, se met volontiers, ces derni\u00e8res ann\u00e9es, au service des compositeurs d\u2019Europe centrale du d\u00e9but du 20\u00e8me si\u00e8cle comme Janacek, Schulhoff, Kr\u00e1sa, Bartok, Szymanovsky, Webern\u2026<\/span>
Sa discographie a \u00e9t\u00e9 salu\u00e9e par la critique internationale<\/strong> (ffff T\u00e9l\u00e9rama, Luister 10 Award, Gramophone Critic\u2019s Choice Award, Prix Charles Cros, Diapason, Le Monde\u2026).<\/span><\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Julia Wischniewski \u2022 soprano<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Apr\u00e8s des \u00e9tudes au conservatoire d\u2019Aix-en-Provence (piano et alto), puis au CNSM de Lyon, Julia Wischniewski se perfectionne aupr\u00e8s de Magali Damonte. En soliste elle se produit dans le cadre de concerts de musique de chambre avec des artistes tels que Fran\u00e7ois Salque, Julien Dieudegard, Atsuchi Sakai, Jean Tubery et avec des ensembles ou orchestres comme Le Concert d’Astr\u00e9e, l’Ensemble Cl\u00e9ment Janequin, les Paladins, les Arts Florissants, l\u2019Academia Montis Regalis, ou encore avec l’orchestre du capitole de Toulouse, sous la direction de Tugan Sokhiev, et participe notamment \u00e0 la cr\u00e9ation mondiale de Tichenko, ou plus r\u00e9cemment au songe d’une nuit d\u2019\u00e9t\u00e9 de Mendelssohn. Elle chante r\u00e9guli\u00e8rement sous la direction de Jo\u00ebl Suhubiette avec l’ensemble Les \u00c9l\u00e9ments ainsi que son ensemble Jacques Moderne avec lequel elle a notamment enregistr\u00e9 le Stabat Mater de Scarlatti \u00e0 dix voix de solistes en assurant la premi\u00e8re partie de Soprano. En 2010 elle est la Phrygienne et la doublure de Sonia Yoncheva pour le r\u00f4le de V\u00e9nus dans Dardanus de Rameau sous la direction d’Emmanuelle Haim \u00e0 l’op\u00e9ra de Lille, au Grand Th\u00e9\u00e2tre de Caen, et \u00e0 l’Op\u00e9ra de Dijon. Cette ann\u00e9e-l\u00e0, elle rejoint J\u00e9r\u00f4me Corr\u00e9as pour la production des Paladins de La fausse magie de Gr\u00e9try \u00e0 la Fondation Royaumont, et endosse les r\u00f4les de la Chatte, de la Berg\u00e8re et de la Chauve-souris dans L’enfant et les sortil\u00e8ges de Ravel sous la direction de Fran\u00e7ois Leroux au Festival de Dauville.
R\u00e9cemment, Julia Wischniewski s’est produite en Allemagne avec Il Gusto Barocco, Orchestre baroque de Stuttgart lors d’un concert autour des Cantates d’Haendel dirig\u00e9 par Jorg Halubek dans le cadre de son Triathlon Baroque. Au Grand Th\u00e9\u00e2tre du Luxembourg elle interpr\u00e8te le r\u00f4le de l’attach\u00e9e de presse dans la cr\u00e9ation Wonderful Delux de Brice Pauset, repris \u00e0 l’op\u00e9ra de Rotterdam.
Elle reprend \u00e9galement deux programmes de concert, l’un, autour de trois cantates de Haendel avec l\u2019Academia Montis Regalis donn\u00e9 notamment au festival l’Unione musicale de Turin, et l’autre, concentr\u00e9 sur les lieder de Mozart avec le duo que forment le pianofortiste Giorgio Tabacco et le violoniste Francesco d\u2019Orazio.
En 2018 elle est Micaela dans Carmen puis la Comtesse dans les Noces de Figaro sous la baguette de Pierre Bleuse.
En 2019, elle interpr\u00e8te la Petite Messe Solennelle de Rossini \u00e0 l\u2019Op\u00e9ra de Tour, elle est \u00e9galement tr\u00e8s remarqu\u00e9e dans l’interpr\u00e9tation de Strings de Robert HP Platz, aupr\u00e8s du Quatuor B\u00e9la au Badenweiler Musiktage. Elle monte actuellement, un projet de cantates italiennes articul\u00e9es autour de la cr\u00e9ation mondiale d\u2019une oeuvre d\u2019Alexandros Markeas avec Oph\u00e9lie Gaillard et son ensemble Pulchinella.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Samedi 29 Janvier 2022 \u00e0 20h22 \u00ab\u00a0Illuminations\u00a0\u00bb Mozart \/ Britten Julia Wischniewski \u2022 soprano Quatuor B\u00e9la Fr\u00e9d\u00e9ric Aurier & Julien Dieudegard \u2022 violonsJulian Boutin \u2022 altoLuc Dedreuil \u2022 violoncelle \u00ab\u00a0J’ai tendu des cordes de clocher \u00e0 clocher\u00a0; des guirlandes de fen\u00eatre \u00e0 fen\u00eatre\u00a0; des cha\u00eenes d’or d’\u00e9toile \u00e0 \u00e9toile, et je danse.\u00a0\u00bb Arthur Rimbaud Tout […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2959","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2022.01.29 - 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