{"id":3220,"date":"2021-10-05T22:16:12","date_gmt":"2021-10-05T20:16:12","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=3220"},"modified":"2021-11-05T23:45:01","modified_gmt":"2021-11-05T22:45:01","slug":"en-savoir-2021-11-17-18","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2021-11-17-18\/","title":{"rendered":"en savoir + 2021.11.17-18"},"content":{"rendered":"\t\t
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Novembre 2021<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mercredi 17 et Jeudi 18 \u00e0 20h21
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Doric string Quartet<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Alex Redington \u2022 violon
\u2028Ying Xue \u2022 violon
\u2028H\u00e9l\u00e8ne Cl\u00e9ment \u2022 alto
\u2028John Myerscough \u2022 violoncelle<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Bela Bartok (1881-1945)<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Quatuor \u00e0 cordes n\u00b03 en Ut-di\u00e8se majeur<\/strong>
(Budapest septembre 1927)
– Prima parte: Moderato
– Seconda parte: Allegro
– Ricapitulazione della prima parte: Moderato
– Coda: Allegro molto<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ludwig van Beethoven (1770-1827)<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Quatuor Op 59 n\u00b01 en Fa majeur<\/strong> (1808)
– Allegro
– Allegretto vivace e sempre scherzando
– Adagio molto e mesto – attacca
– \u00ab\u00a0Th\u00e8me Russe\u00a0\u00bb Allegro<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Indiscutablement l’un des meilleurs quatuors \u00e0 cordes de sa g\u00e9n\u00e9ration, le Doric String Quartet re\u00e7oit un vibrant accueil autant du public que de la part de la critique et ceci \u00e0 travers le monde. Il remporte de nombreux prix comme en 2008 le 1er Prix du Osaka International Chamber Music Competition au Japon, et le 2\u00e8me Prix du Premio Paolo Borciani International String Quartet Competition en Italie. Il se produit depuis sur les grandes sc\u00e8nes europ\u00e9ennes comme au Concertgebouw d\u2019Amsterdam, aux Konzerthaus de Vienne et de Berlin, au Frankfurt Alte Oper, au Laeiszhalle \u00e0 Hambourg, De Singel \u00e0 Anvers et est r\u00e9guli\u00e8rement invit\u00e9 au Wigmore Hall \u00e0 Londres. Le Quatuor se produit \u00e9galement chaque ann\u00e9e en tourn\u00e9e aux \u00c9tats-Unis et fait ses d\u00e9buts au Carnegie Hall en 2017.<\/p>

Le Doric String Quartet joue dans de nombreux festivals comme le Festspiele Mecklenburg-Vorpommmen, Schwetzingen, Schwarzenberg Schubertiade, Grafenegg, Aldeburgh, West Cork, Cheltenham, Delft, Incontri inTerra di Siena et Ris\u00f8r Festivals, et collabore avec des artistes comme Ian Bostridge, Mark Padmore, Alexander Melnikov, Pieter Wispelwey, Jonathan Biss, Chen Halevi, Elizabeth Leonskaja, Benjamin Grosvenor, Alina Ibragimova and C\u00e9dric Tiberghien. \u00c0 partir de 2018, le Doric String Quartet assume la direction artistique du Festival Mendelssohn on Mull, ce qui lui permet de jouer un r\u00f4le clef dans la mise en \u0153uvre de la mission essentielle du Festival, celle consistant \u00e0 offrir aux jeunes professionnels de la musique de chambre \u00e0 cordes, une semaine intensive de mentorat, d\u2019encadrement et de d\u00e9veloppement.<\/p>

R\u00e9cemment, le Doric String Quartet s\u2019est empar\u00e9 de l\u2019oeuvre pour quatuor et orchestre de John Adams, Absolute Jest, qu\u2019il interpr\u00e8te avec le Vienna Symphony au Vienna Konzerthaus sous la direction de John Adams lui-m\u00eame, avec le Netherlands Radio Philharmonic au Concertgebouw d\u2019Amsterdam ainsi qu\u2019avec le BBC Scottish Symphony Orchestra dirig\u00e9 par Markus Stenz. En 2018, Il l\u2019enregistre avec le Royal Scottish National Orchestra dirig\u00e9 par Peter Oundjian sur label Chandos, enregistrement nomm\u00e9 Disque du mois dans BBC Music Magazine et lou\u00e9 pour la \u00ab somptueuse douceur et l\u2019incroyable clart\u00e9 \u00bb de son ex\u00e9cution.<\/p>

Parmi les moments forts de la saison 2018-19 figurent un week-end en r\u00e9sidence \u00e0 la Fondation Britten \u00e0 Aldeburgh o\u00f9 le Doric String Quartet joue l\u2019int\u00e9grale de ses quatuors qu\u2019il enregistre au Snape Maltings pour le label Chandos. Le Doric String Quartet retourne au Wigmore Hall pour la troisi\u00e8me fois, notamment en collaboration avec le pianiste Jonathan Biss et se produit \u00e9galement \u00e0 la Elbphilharmonie de Hambourg, au Konzerthaus de Dortmund, et pour deux repr\u00e9sentations au Barbican Milton Court avec Benjamin Grosvenor. Il fait ses d\u00e9buts sud-am\u00e9ricains \u00e0 l’Usina del Arte de Buenos Aires et entreprend sa tourn\u00e9e annuelle en Am\u00e9rique du Nord, avec cette ann\u00e9e, des repr\u00e9sentations \u00e0 Boston et \u00e0 Philadelphie. Le Doric String Quartet retourne en Australie pour une tourn\u00e9e avec Musica Viva, incluant la premi\u00e8re mondiale du nouveau quatuor de Brett Dean co-command\u00e9 pour les Doric par Musica Viva, le Konzerthaus de Berlin, le Carnegie Hall, la Biennale du quatuor \u00e0 cordes d’Amsterdam et le Festival International d’\u00c9dimbourg.<\/p>

En France, le Doric String Quartet fait des d\u00e9buts remarquables \u00e0 l\u2019Auditorium du Louvre en novembre 2018 et est r\u00e9-invit\u00e9 en mai 2020 dans un programme avec Alina Ibragimova et C\u00e9dric Tiberghien. Au cours des derni\u00e8res saisons, il s\u2019est \u00e9galement produit dans la Nuit du Quatuor \u00e0 Paris organis\u00e9e par ProQuartet et la Philharmonie de Paris, au Th\u00e9\u00e2tre Le Crat\u00e8re \u00e0 Al\u00e8s, \u00e0 La Courroie, au Mus\u00e9e d\u2019Orsay, au Festival International du Quatuor \u00e0 Cordes du Luberon, \u00e0 Quatuors \u00e0 cordes en Pays de Fayence et au Th\u00e9\u00e2tre de Verdun.<\/p>

Depuis 2010, le Doric Quartet enregistre exclusivement pour Chandos Records, avec un r\u00e9pertoire allant de Schumann \u00e0 Korngold et Walton ainsi que des oeuvres avec orchestre comme L’Introduction et Allegro Opus 47 d\u2019Elgar et Absolute Jest de John Adam. En 2017, leur enregistrement de Quartettsatz et du Quatuor en Sol majeur de Schubert est nomm\u00e9 Editor\u2019s Choice de Gramophone et pour le Gramophone Award. L\u2019engagement sans faille du Doric String Quartet pour l\u2019interpr\u00e9tation des quatuors \u00e0 cordes de Haydn a d\u00e9j\u00e0 vu la sortie des Opus 20, Opus 76 et Opus 64, dont les enregistrements ont remport\u00e9 un franc succ\u00e8s, en particulier l\u2019Editor\u2019s Choice de Gramophone, le Choc du Mois dans Classica et une pr\u00e9s\u00e9lection pour un Gramophone Award. Ses futures sorties comprennent les quatuors de Mendelssohn, Britten et l’int\u00e9gralit\u00e9 de l\u2019Opus 33 de Haydn.<\/p>

Form\u00e9 en 1998, le Doric String Quartet \u00e9tudie \u00e0 Paris dans le cadre de ProQuartet, puis \u00e0 la Music Academy de B\u00e2le. Il est ensuite s\u00e9lectionn\u00e9 pour \u00eatre repr\u00e9sent\u00e9 par YCAT en 2006. En 2015, le Quatuor a \u00e9t\u00e9 nomm\u00e9 Teaching Quartet in Association at Royal Acad\u00e9mie de musique \u00e0 Londres. H\u00e9l\u00e8ne Cl\u00e9ment, altiste du Quatuor, joue un alto de Guissani 1843, ayant appartenu \u00e0 Frank Bridge et Benjamin Britten et pr\u00eat\u00e9 \u00e0 titre gracieux \u00e0 la Britten-Pears Foundation.<\/p>

Le Doric String Quartet se produit en accord avec Sulivan Sweetland Artist Management et est repr\u00e9sent\u00e9 en France par Satirino.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Novembre 2021 Mercredi 17 et Jeudi 18 \u00e0 20h21 Doric string Quartet Alex Redington \u2022 violon\u2028Ying Xue \u2022 violon\u2028H\u00e9l\u00e8ne Cl\u00e9ment \u2022 alto\u2028John Myerscough \u2022 violoncelle Bela Bartok (1881-1945) Quatuor \u00e0 cordes n\u00b03 en Ut-di\u00e8se majeur(Budapest septembre 1927)– Prima parte: Moderato– Seconda parte: Allegro– Ricapitulazione della prima parte: Moderato– Coda: Allegro molto Ludwig van Beethoven (1770-1827) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3220","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2021.11.17-18 - 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