{"id":3493,"date":"2021-11-19T11:01:51","date_gmt":"2021-11-19T10:01:51","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=3493"},"modified":"2021-12-11T14:47:54","modified_gmt":"2021-12-11T13:47:54","slug":"en-savoir-2021-12-11","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2021-12-11\/","title":{"rendered":"en savoir + 2021.12.11"},"content":{"rendered":"\t\t
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Samedi 11 d\u00e9cembre 2021 \u00e0 20h21<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Falsetas\"<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Yardani Torres Maiani \u2022 violon
\nMarc Crofts \u2022 violon<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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En flamenco, une Falseta est une br\u00e8ve section instrumentale, g\u00e9n\u00e9ralement assur\u00e9e par la guitare, entre les parties chant\u00e9es. Le violon n\u2019\u00e9tant ni tout \u00e0 fait une voix, ni tout \u00e0 fait une guitare, comment peut-il exister par lui m\u00eame dans le monde du flamenco ?
Jouer du flamenco \u00e0 deux violons, c\u2019est le d\u00e9fi que se sont lanc\u00e9s Yardani Torres Maiani et Marc Crofts. En passant par une \u00e9tude et une d\u00e9construction des \u00e9l\u00e9ments propres \u00e0 cette musique, les deux musiciens tentent de mettre en place une v\u00e9ritable grammaire du violon flamenco.
Le duo propose un programme de leurs compositions et une relecture des classiques de Vicente Amigo, Paco de Lucia\u2026 .
FALSETAS c\u2019est la rencontre du violon et du flamenco, mais ce sont aussi les regards crois\u00e9s de Yardani et de Marc, et le dialogue entre leurs visions, nourries respectivement par la musique classique et par le jazz.
Enfin, ce projet s\u2019accompagne d\u2019une volont\u00e9 de transmission, avec une recherche autour de la question de l\u2019\u00e9criture du flamenco, tradition a priori orale.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tYardani Torres Maiani<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
Yardani Torres Maiani<\/h6><\/div>
Violoniste et compositeur n\u00e9 en Andalousie en 1988, Yardani\u00a0commence ses \u00e9tudes\u00a0 dans une \u00e9cole de musique de la Costa del Sol, puis au conservatoire de Malaga et grandit dans ce haut-lieu de la musique gitane que sont les Saintes Maries de la Mer.<\/span><\/h6>
Il obtient le dipl\u00f4me d\u2019\u00e9tudes musicales au conservatoire d\u2019Avignon et entre \u00e0 17 ans \u00e0 la haute \u00e9cole de musique de Lausanne, ou il obtient le dipl\u00f4me de bachelor.<\/span><\/h6>
El\u00e8ve de la violoniste Marie-Annick Nicolas, il obtient le dipl\u00f4me master of Arts en interpr\u00e9tation musicale au conservatoire de Gen\u00e8ve en 2011.\u00a0<\/span><\/h6>
La m\u00eame ann\u00e9e il remporte le prix Henryk Szering.<\/span><\/h6>
Depuis, voyageur en musique, selon ses propres mots, il a jou\u00e9 aux festivals de Paris, d\u2019Avignon, aux fl\u00e2neries musicales de Reims, au festival de Colmar.<\/span><\/h6>
Si comme violoniste il s\u2019inscrit incontestablement dans la jeune g\u00e9n\u00e9ration d\u2019\u00e9lite de l\u2019\u00e9cole fran\u00e7aise, Yardani Torres-Maiani est pour autant bien plus qu\u2019un soliste brillant. Musicien curieux, en recherche perp\u00e9tuelle, il compose et exp\u00e9rimente avec la m\u00eame passion pour son instrument f\u00e9tiche que celle qui le m\u00e8ne dans l\u2019exploration des grandes pages de Bach, Paganini, Enesco, Piazzolla \u2026<\/span><\/h6>
Cette singularit\u00e9 prend source dans une tradition familiale foisonnante, aux affluents du flamenco et des musiques classiques.\u00a0<\/span><\/h6>
Pourvu d\u2019une formidable efficience technique, son approche de l\u2019instrument ressemble \u00e0 ces r\u00eaveries des po\u00e8tes romantiques, m\u00e9lange de virtuosit\u00e9 et d\u2019\u00e9vidente simplicit\u00e9.<\/span><\/h6>
Toute cette richesse d\u2019influences se cristallise dans son travail de compositeur et d\u2019arrangeur. Ses opus \u00e0 la verve lyrique, aux atmosph\u00e8res a\u00e9riennes et exalt\u00e9es r\u00e9v\u00e8lent une signature, o\u00f9 les accents flamenco ne sont que le pretexte, l\u2019entr\u00e9e en mati\u00e8re d\u2019un v\u00e9ritable imaginaire musical.<\/span><\/h6><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMarc Crofts<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
N\u00e9 en Suisse d’un p\u00e8re anglais et d’une m\u00e8re s\u00e9farade et ashkenaze, Marc Crofts s’est forg\u00e9 une identit\u00e9 musicale riche et sinc\u00e8re, s’impr\u00e9gnant de diff\u00e9rentes traditions. C’est ce qui lui vaudra de jouer avec des musiciens du monde entier, d’Istanbul jusqu\u2019\u00e0 S\u00e9ville.<\/h6>
\u200b<\/span><\/h6>
Apr\u00e8s des \u00e9tudes \u00e0 la Haute Ecole de Musique de Lausanne, qui ont largement contribu\u00e9 au d\u00e9veloppement de son vocabulaire musical et narratif, Marc n’a jamais cess\u00e9 de chercher \u00e0 \u00e9tendre son savoir musical.<\/h6>

Fondateur du groupe Gilgul (musique des Balkans), pour qui il a \u00e9crit de nombreux morceaux, il compose et se produit r\u00e9guli\u00e8rement avec d’autres ensembles, qu’il s’agisse du Yolanda Almodovar Flamenco Band (tourn\u00e9es en Suisse et au Dannemark en 2018), de Swing High, Gypson 5ive, ou encore Hotegezugt.<\/h6>
\u200b<\/h6>
Depuis 2018\u00a0il se consacre principalement \u00e0 son projet en trio, Nomadim,\u00a0avec le guitariste Railo Helmstetter et le bassiste Blaise Hommage. L’ensemble propose un jazz lyrique teint\u00e9 d’accents\u00a0world.<\/h6>
\u200b<\/h6>
Son jeu et ses compositions sont nourris d\u2019influences multiples, mais canalis\u00e9s surtout par sa personnalit\u00e9 ouverte.<\/h6><\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Samedi 11 d\u00e9cembre 2021 \u00e0 20h21 \u00ab\u00a0Falsetas\u00a0\u00bb Yardani Torres Maiani \u2022 violon Marc Crofts \u2022 violon En flamenco, une Falseta est une br\u00e8ve section instrumentale, g\u00e9n\u00e9ralement assur\u00e9e par la guitare, entre les parties chant\u00e9es. Le violon n\u2019\u00e9tant ni tout \u00e0 fait une voix, ni tout \u00e0 fait une guitare, comment peut-il exister par lui m\u00eame […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3493","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2021.12.11 - 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