{"id":3843,"date":"2022-01-28T10:50:23","date_gmt":"2022-01-28T09:50:23","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=3843"},"modified":"2022-02-02T21:37:18","modified_gmt":"2022-02-02T20:37:18","slug":"en-savoir-2022-02-12-13","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2022-02-12-13\/","title":{"rendered":"en savoir + 2022.02.12-13"},"content":{"rendered":"\t\t
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Samedi 12 f\u00e9vrier 2022 \u00e0 20h22<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dimanche 13 f\u00e9vrier 2022 \u00e0 11h<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Diego Salamanca \u2022 luth<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le luth de Johann Sebastian Bach<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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L\u2019\u0153uvre de J.S. Bach pour le luth n\u2019a jamais cess\u00e9 d\u2019\u00eatre l\u2019objet de diverses controverses. En effet, malgr\u00e9 une tradition d\u2019\u00e9tude de ces pi\u00e8ces aussi bien parmi les luthistes que parmi les guitaristes modernes, il est en fait vraisemblable de penser que pratiquement aucune de ces pi\u00e8ces n\u2019ait \u00e9t\u00e9 r\u00e9ellement con\u00e7ue \u00e0 l\u2019origine pour cet instrument.
On constate deux types de compositions traditionnellement classi\ufb01\u00e9es pour le luth dans l\u2019\u0153uvre de Bach:
D\u2019une part, les transcriptions de pi\u00e8ces \u00e9crites \u00e0 l\u2019origine pour d\u2019autres instruments, \u00e0 savoir la Suite BWV995, transcrite par Bach \u00e0 partir de sa propre suite pour violoncelle BWV1011, et la Partita BWV1006a, transcription de la Partita pour violon No.3 BWV 1006, largement r\u00e9utilis\u00e9 par Bach lui-m\u00eame dans d\u2019autres contextes.
D\u2019autre part, la Suite BWV996, la Partita BWV997 et le triptyque Pr\u00e9lude, Fugue et Allegro BWV998 constituent, \u00e0 l\u2019\u00e9vidence, un ensemble de pi\u00e8ces con\u00e7ues tr\u00e8s probablement pour le lautenwerk, instrument \u00e0 clavier pourvu de cordes en boyau et disposant d\u2019un fond arrondi qui le rapprochait de la sonorit\u00e9 du luth, tout en restant un clavier conventionnel.
N\u00e9anmoins, comme c\u2019est le cas de l\u2019ensemble de la musique instrumentale de J.S. Bach, ces pi\u00e8ces constituent un objet d\u2019\u00e9tude particuli\u00e8rement int\u00e9ressant et pr\u00e9sentent des caract\u00e9ristiques uniques lorsque elles sont abord\u00e9es sur le luth. Il s\u2019agit non seulement de v\u00e9ritables chefs-d\u2019oeuvre de part la richesse de leur \u00e9criture, mais \u00e9galement d\u2019un d\u00e9\ufb01 d\u2019un int\u00e9r\u00eat tout particulier, aussi bien du point de vue technique que de l\u2019ex\u00e9cution musicale proprement dite.
Diego Salamanca se consacre au r\u00e9pertoire du luth baroque depuis plusieurs ann\u00e9es et propose en r\u00e9cital une lecture de trois de ces \u0153uvres, jou\u00e9es sur un luth \u00e0 13 c\u0153urs, instrument en usage \u00e0 l\u2019\u00e9poque et jou\u00e9 couramment dans l\u2019entourage musical de Bach. Le programme se compose de la Suite en Sol mineur BWV995, la Partita en Do mineur BWV997 et Pr\u00e9lude, Fugue et Allegro en Mi b\u00e9mol majeur BWV998. Le choix de ces trois \u0153uvres r\u00e9pond au fait qu\u2019elles peuvent \u00eatre jou\u00e9es dans leurs tonalit\u00e9s d\u2019origine. Le luth est pouss\u00e9 dans ces pi\u00e8ces jusque dans ses ultimes possibilit\u00e9s et le musicien est ainsi confront\u00e9 \u00e0 un style de jeu totalement inhabituel dans le contexte du r\u00e9pertoire de l\u2019instrument \u00e0 la m\u00eame p\u00e9riode.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Programme<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Johann Sebastian Bach<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Suite en Sol mineur <\/strong>BWV995
Pr\u00e9lude – Tr\u00e8s viste
Allemande
Courante
Sarabande
Gavotte I-II
Gigue<\/p>

Partita en Do mineur <\/strong>BWV997
Pr\u00e9lude
Fugue
Sarabande
Gigue – Double<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Diego Salamanca \u2022 luth<\/strong>
N\u00e9 en 1977 \u00e0 Bogot\u00e1, Diego Salamanca se forme au luth aupr\u00e8s d’Armando Fuentes \u00e0 l’Universit\u00e9 Javeriana de Bogota, avant de poursuivre ses \u00e9tudes au Conservatoire National Sup\u00e9rieur de Musique de Lyon dans la classe d’Eug\u00e8ne Ferr\u00e9, o\u00f9 il obtient des dipl\u00f4mes d\u2019\u00e9tudes sup\u00e9rieures en luth baroque, puis en luth renaissance et en musique de chambre. Par ailleurs, il a eu l’occasion de travailler sur le r\u00e9pertoire du luth baroque saupr\u00e8s de Hopkinson Smith, Luciano Contini, Jos\u00e9 Miguel Moreno et Paul O’Dette.
Attir\u00e9 par le r\u00e9pertoire baroque pour le luth et les instruments \u00e0 cordes pinc\u00e9es, il se consacre notamment \u00e0 la musique \u00e9crite pour ces instruments au XVII\u00e8me et XVIII\u00e8me si\u00e8cles. Il a d\u00e9di\u00e9 son premier enregistrement \u00e0 S. L. Weiss, compositeur phare du XVIII\u00e8me, production qui a \u00e9t\u00e9 chaleureusement re\u00e7ue autant par la critique sp\u00e9cialis\u00e9e que par le public (disque paru sous le label Seul\u00e9toile, 2020).
Port\u00e9 \u00e9galement sur la pratique de l’accompagnement sur les instruments de la famille du luth et la r\u00e9alisation de la basse continue, Il se produit, \u00e0 l\u2019archiluth et au th\u00e9orbe, notamment au sein de l’Ensemble Pygmalion (dir. Rapha\u00ebl Pichon), Harmonia Sacra
(Yannick Lemaire), ainsi qu\u2019avec Le Banquet C\u00e9leste (dir. Damien Guillon) ou encore Les Arts Florissants (dir. William Christie).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Samedi 12 f\u00e9vrier 2022 \u00e0 20h22 Dimanche 13 f\u00e9vrier 2022 \u00e0 11h Diego Salamanca \u2022 luth Le luth de Johann Sebastian Bach L\u2019\u0153uvre de J.S. Bach pour le luth n\u2019a jamais cess\u00e9 d\u2019\u00eatre l\u2019objet de diverses controverses. En effet, malgr\u00e9 une tradition d\u2019\u00e9tude de ces pi\u00e8ces aussi bien parmi les luthistes que parmi les guitaristes […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3843","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2022.02.12-13 - 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