{"id":3965,"date":"2022-03-24T17:59:19","date_gmt":"2022-03-24T16:59:19","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=3965"},"modified":"2022-03-31T15:40:44","modified_gmt":"2022-03-31T13:40:44","slug":"en-savoir-2022-04-01","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2022-04-01\/","title":{"rendered":"en savoir + 2022.04.01"},"content":{"rendered":"\t\t
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Vendredi 1er avril 2022 \u00e0 20h22<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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COMPLET<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Chostakovitch, l'alto russe\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Manuel Vioque-Judde \u2022 alto
Nathana\u00ebl Gouin \u2022 piano<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dmitri Dmitrievitch Chostakovitch<\/strong> (1906-1975)<\/h4>

7 Pr\u00e9ludes opus 34 arr. V.Strakhov pour alto et piano (1933)
Suite pour alto et piano \u00ab Le Taon \u00bb arr. V.Borisovsky (1955)
Sonate op.147 pour alto et piano (1975)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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N\u00e9 en 1991, Manuel Vioque-Judde<\/strong> est reconnu comme l\u2019un des musiciens les plus dou\u00e9s et les plus charismatiques de sa g\u00e9n\u00e9ration.
Laur\u00e9at de nombreux concours internationaux, il est r\u00e9compens\u00e9 aux deux plus prestigieux, en 2014 \u00e0 Los Angeles au XIVe Concours Primrose, puis en 2016 au XIIe Concours Tertis sur\u00a0l\u2019\u00cele de Man.
Parmi ses engagements importants comme soliste, il a collabor\u00e9 en France avec l\u2019Orchestre Fran\u00e7ais des Jeunes, l\u2019Orchestre de Chambre Nouvelle Europe et l\u2019Orchestre des Laur\u00e9ats du Conservatoire, au Venezuela avec l\u2019Orchestre Symphonique Simon Bolivar, en R\u00e9publique Tch\u00e8que avec le Moravian Philharmonic Orchestra, en Allemagne avec le Vogtland Philarmonic Orchestra et l\u2019Elbland Philharmonie Sachsen, aux \u00c9tats-Unis avec le Santa Barbara Chamber Orchestra, en Su\u00e8de avec Camerata Nordica et en Belgique avec l\u2019Orchestre Royal de Chambre de Wallonie.
Manuel Vioque-Judde est \u00e9galement un chambriste accompli, on trouve parmi ses partenaires de musique de chambre Claire D\u00e9sert, Augustin Dumay, Jonathan Fournel, Nathana\u00ebl Gouin, Ilya Gringolts, Gary Hoffman, Victor Julien-Laferri\u00e8re, Barnab\u00e1s Kelemen, Suyoen Kim, Gidon Kremer, Alexandre Kantorow, Dmitri Masleev, Aur\u00e9lien Pascal, Denis Pascal, Bruno Philippe, Alexandra Soumm, Christian Tetzlaff, le trio Wanderer, le quatuor Arod, le quatuor Van Kuijk\u2026
Il joue sur les plus grandes sc\u00e8nes internationales, \u00e0 la Folle Journ\u00e9e de Nantes,
au\u00a0Kamermuziek Festival Amsterdam, Festival International de la Roque d’Anth\u00e9ron, au Festival de Verbier, \u00e0 la Folle Journ\u00e9e Niigata, au Seiji\u00a0Ozawa Matsumoto\u00a0Festival, au Festival de P\u00e2ques d’Aix en Provence, au Tanglewood\u00a0Music\u00a0Festival, au 5\u00e8me Festival des\u00a0Jeunes Solistes Europ\u00e9ens au Venezuela, au Festival de P\u00e2que de\u00a0Deauville, au Bozar de Bruxelles, \u00e0 la Philharmonie de Paris, au\u00a0Victoria Hall de Gen\u00e8ve\u2026
Son \u00e9ducation musicale commence \u00e0 Paris \u00e0 l\u2019\u00e2ge de 5 ans avec l\u2019apprentissage de l\u2019alto mais aussi la pratique intensive du chant et du piano, qui lui permettra d\u2019int\u00e9grer tr\u00e8s jeune la Ma\u00eetrise de Radio France. \u00c9l\u00e8ve de Laurent Verney, il obtient \u00e0 15 ans le 1er prix \u00e0 l\u2019unanimit\u00e9 au Concours National des Jeunes Altistes. Il rentre alors au Conservatoire de Paris dans la classe de Jean Sulem. Il poursuit par la suite sa formation aupr\u00e8s des altistes Antoine Tamestit, Tatjana Masurenko, Miguel Da Silva et Lawrence Power.\u00a0
Manuel Vioque-Judde est Laur\u00e9at de la Fondation Banque Populaire et R\u00e9v\u00e9lation Classique Adami 2017.
En 2019, il fonde le trio Arnold au c\u00f4t\u00e9 de Shuichi Okada et Bumjun Kim dont le premier enregistrement consacr\u00e9 aux trios \u00e0 cordes opus 9 de L.V.Beethoven est nomm\u00e9
\u00ab\u00a0diapason d\u2019or\u00a0\u00bb (Mirare 2021).
Directeur artistique du Just Classik Festival \u00e0 Troyes depuis 2018, il joue sur un alto du luthier allemand Stephan von Baehr.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Paru chez Mirare en septembre 2017, le premier disque r\u00e9cital de Nathana\u00ebl Gouin<\/strong>, Liszt Macabre, n\u2019a pas manqu\u00e9 de susciter des r\u00e9actions enthousiastes des critiques. Pour Diapason, \u00ab Liszt Macabre se signale autant par la pertinence du programme que la perfection de la r\u00e9alisation \u00bb alors que, selon Classica (qui lui d\u00e9cerne un Choc), \u00ab loin d\u2019effrayer Nathanael Gouin, ce fun\u00e8bre registre lui permet d\u2019exprimer tout son talent, lumineux ! \u00bb. Un deuxi\u00e8me album solo consacr\u00e9 \u00e0 Georges Bizet parait en septembre 2020 chez Mirare Records. Incontestablement, Nathana\u00ebl Gouin figure comme l\u2019une des voix les plus originales ayant \u00e9merg\u00e9 sur la sc\u00e8ne musicale de ces derni\u00e8res ann\u00e9es. D\u00e9j\u00e0, le magazine Classica le classe parmi les pianistes \u00e0 suivre de la jeune g\u00e9n\u00e9ration.
Lors de sa r\u00e9sidence \u00e0 la Chapelle Musicale Reine Elizabeth de Belgique, il re\u00e7oit le soutien Maria Jo\u00e3o Pires, qui le pr\u00e9sente au public dans le cadre du projet Partitura, concept r\u00e9unissant diff\u00e9rentes g\u00e9n\u00e9rations de musiciens dans le partage de la sc\u00e8ne, donnant lieu \u00e0 d\u2019importantes tourn\u00e9es en Europe et au Japon.
Nathana\u00ebl Gouin est devenu un soliste et musicien chambriste recherch\u00e9, se produisant en Europe, en Asie, ou encore aux \u00c9tats-Unis. Il est invit\u00e9 dans des salles prestigieuses telles que la grande Salle Pierre Boulez de la Philharmonie de Paris et la Cit\u00e9 de la musique \u00e0 Paris, La Seine Musicale \u00e0 Boulogne-Billancourt, la Salle Rameau \u00e0 Lyon, Bozar et la Salle Flagey \u00e0 Bruxelles, sans oublier des festivals tels que ceux de La Roque d\u2019Anth\u00e9ron, de Radio France et Montpellier, ou encore Les Fl\u00e2neries musicales de Reims, Piano aux Jacobins \u00e0 Toulouse, Les Folles Journ\u00e9es de Nantes Tokyo Varsovie ou Ekaterinbourg, la Salle Bourgie \u00e0 Montr\u00e9al et la nouvelle Scala de Paris.
Dans le domaine du concerto, Nathana\u00ebl Gouin cultive un r\u00e9pertoire large et curieux, ce qui lui vaut des collaborations stimulantes avec de nombreuses formations : le Philharmonique de Li\u00e8ge, l\u2019ensemble Les Si\u00e8cles, Le New Japan Philharmonic, l\u2019Orchestre National d\u2019\u00cele-de-France, le Brussels Philharmonic, le Sinfonia Varsovia, ou encore le Ch\u0153ur de Radio France. C\u2019est en 2016 que para\u00eet l\u2019enregistrement du Concerto pour piano et orchestre d\u2019Edouard Lalo avec le Philharmonique de Li\u00e8ge plac\u00e9 sous la direction de Jean-Jacques Kantorow (Label Outhere), disque qui re\u00e7oit les meilleures critiques.
La musique de chambre est \u00e9videmment tr\u00e8s pr\u00e9sente dans sa vie artistique et il est le partenaire r\u00e9gulier de grands interpr\u00e8tes tels que Renaud Capu\u00e7on, Augustin Dumay, Maria-Joao Pires ou encore Michel Dalberto. Il a par ailleurs fond\u00e9 un duo avec le violoniste Guillaume Chilemme, dont les enregistrements Ravel\/Canal, et Schubert ont \u00e9t\u00e9 remarqu\u00e9s par la presse.
Il est fr\u00e9quemment invit\u00e9 des \u00e9missions t\u00e9l\u00e9vis\u00e9es et radiophoniques sur France 3, Culture Box, France Musiques et Radio Classique mais aussi des Victoires de la musique Classique.
Nathana\u00ebl Gouin commence l\u2019\u00e9tude du piano et du violon \u00e0 l\u2019\u00e2ge de 3 ans. Form\u00e9 au Conservatoire de Toulouse et de Paris, \u00e0 la Juilliard School de New York, mais \u00e9galement aux Hochschulen f\u00fcr Musik de Fribourg-en-Brisgau et de Munich, l\u2019Acad\u00e9mie Musicale de Villecroze, ainsi que quatres ann\u00e9es de r\u00e9sidence \u00e0 la Chapelle Reine Elisabeth. Il a \u00e9galement re\u00e7u les conseils de grands musiciens tels que Maria-Joao Pires , Louis Lortie, Jean-Claude Pennetier, Michel Beroff, Avedis Kouyoumdian, Denis Pascal, Rena Shereshevskaya ou encore Dimitri Bashkirov.
Laur\u00e9at de nombreux concours internationaux, tel que le Concours Johannes Brahms \u00e0 P\u00f6rtschach en Autriche (Premier Prix), le Concours de duos de Su\u00e8de (Premier Prix), ou encore le Concours de Musique de chambre de Lyon, il est de plus laur\u00e9at de la Fondation d\u2019entreprise Banque Populaire et de la Fondation Meyer, et artiste-r\u00e9sident \u00e0 la Fondation Singer Polignac.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Vendredi 1er avril 2022 \u00e0 20h22 COMPLET \u00ab\u00a0Chostakovitch, l’alto russe\u00a0\u00bb Manuel Vioque-Judde \u2022 altoNathana\u00ebl Gouin \u2022 piano Dmitri Dmitrievitch Chostakovitch (1906-1975) 7 Pr\u00e9ludes opus 34 arr. V.Strakhov pour alto et piano (1933)Suite pour alto et piano \u00ab Le Taon \u00bb arr. V.Borisovsky (1955)Sonate op.147 pour alto et piano (1975) infos pratiques N\u00e9 en 1991, Manuel […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3965","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2022.04.01 - 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