{"id":5483,"date":"2023-03-02T11:56:13","date_gmt":"2023-03-02T10:56:13","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=5483"},"modified":"2023-03-23T15:47:08","modified_gmt":"2023-03-23T14:47:08","slug":"en-savoir-2023-03-19-20","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2023-03-19-20\/","title":{"rendered":"en savoir + 2023.03.19-20"},"content":{"rendered":"\t\t
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Dimanche 19 et lundi 20 mars 2023 \u00e0 20h23<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La Trotteuse<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lo\u00efc Gu\u00e9nin<\/strong> \u2022 composition, claviers analogiques,
voix, percussions, objets sonores
Alice Pi\u00e9rot<\/strong> \u2022 composition, violon,
voix, objets sonores
Eric Brochard<\/strong> \u2022 patch informatique, r\u00e9gie son
Thierry Llorens<\/strong> \u2022 r\u00e9gie g\u00e9n\u00e9rale et technique<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Aux c\u00f4t\u00e9s de l\u2019aiguille des heures et de celle des minutes se trouve parfois une troisi\u00e8me aiguille qui indique les secondes, g\u00e9n\u00e9ralement appel\u00e9e \u00ab la trotteuse \u00bb. Ici, la trotteuse, imperturbable, d\u00e9roule une ann\u00e9e compl\u00e8te en une heure de musique. Une horloge habille le plateau sur lequel le duo form\u00e9 par Alice Pi\u00e9rot (violon) et Lo\u00efc Gu\u00e9nin (objets sonores, claviers analogiques et percussions) interpr\u00e8te dans ce temps imparti un r\u00e9pertoire insolite, fait de compositions et de pi\u00e8ces de r\u00e9pertoire arrang\u00e9es pour leur joyeux instrumentarium. John Cage, Dandrieu, Gu\u00e9nin, La Monte Young, Bach, Couperin ou encore Magma, Biber et Rzewski composent une partition calendaire que chacun\u00b7e est invit\u00e9\u00b7e \u00e0 \u00e9couter \u00e0 l\u2019aune de son propre v\u00e9cu.
\u00c0 la crois\u00e9e des musiques baroques et de cr\u00e9ation, ce projet pose une oreille tendre sur un changement de paradigme, une remise en question de chacun\u00b7e face \u00e0 une p\u00e9riode contemporaine complexe qui transforme et remet en question notre rapport \u00e0 l\u2019art, \u00e0 l\u2019environnement et \u00e0 la cr\u00e9ation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Programme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jean-Fran\u00e7ois Dandrieu<\/strong> (1682-1738)
Les Caract\u00e8res de la Guerre<\/em> (1724)
– Le boutteselle
– Premi\u00e8re fanfare
– La Marche
– Air Gravement<\/p>

Fran\u00e7ois Couperin<\/strong> (1668-1733)
– Sarabande, extraite du 7\u00e8me Concert Royal (1724)
– Allemande fugu\u00e9e \u00bb, extraite du 2\u00e8me Concert Royal (1722)<\/p>

Heinrich Ignaz Franz Biber<\/strong> (1644-1704)
– Passacaille<\/em>, extraite des Sonates du Rosaire (1678)<\/p>

Johann Sebastian Bach<\/strong> (1685-1750)
– Andante<\/em>, extrait de la Sonate n\u00b02 en la mineur pour violon seul (BWV1003) (1720)<\/p>

John Cage<\/strong> (1912-1992)
– 4\u201933<\/em> (1952)\u2022
– Sculptures musicales<\/em> (1989)Programme 4<\/p>

La Monte Young<\/strong> (1935 – )
– Composition n\u00b05<\/em> (1960)<\/p>

Frederic Rzewski<\/strong> (1938-2021)
– Les moutons de Panurge<\/em> (1968)<\/p>

Magma<\/strong> (groupe, 1969 – )
– De futura<\/em> (1976)<\/p>

Lo\u00efc Gu\u00e9nin<\/strong>
– (\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7——-\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7\u00b7) pour 2 instruments (2020)<\/p>

Alice Pi\u00e9rot \u2013 Lo\u00efc Gu\u00e9nin<\/strong>
– 2020<\/em> (2020)
– Improvisations<\/p>

\u00a0<\/div>
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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L\u2019ann\u00e9e 2020 restera longtemps dans nos m\u00e9moires. Chacun\u00b7e a travers\u00e9 les \u00e9tapes de cette dr\u00f4le de p\u00e9riode, au gr\u00e9 des annonces gouvernementales, de l\u2019\u00e9volution de la pand\u00e9mie et des premi\u00e8res annulations de concerts, en passant par un retour \u00e0 la maison de plusieurs mois. Fin 2020, j\u2019ai pu b\u00e9n\u00e9ficier d\u2019un temps de r\u00e9sidence \u00e0 l\u2019initiative de l\u2019Espace Culturel de Chaillol. J\u2019ai alors invit\u00e9 la violoniste Alice Pi\u00e9rot \u00e0 me rejoindre pour partager une premi\u00e8re exp\u00e9rience d\u2019un duo insolite et curieux.Apr\u00e8s quelques notes et beaucoup de discussions passionn\u00e9es, nous avons tr\u00e8s vite d\u00e9cid\u00e9 de travailler sur cette ann\u00e9e si singuli\u00e8re. La Trotteuse est n\u00e9e d\u2019une volont\u00e9 de donner \u00e0 entendre notre travers\u00e9e respective de cette crise qui a boulevers\u00e9 notre \u00e9cosyst\u00e8me, nos habitus et nos comportements. En fond de sc\u00e8ne, une horloge d\u00e9roule de fa\u00e7on imperturbable les douze mois de l\u2019ann\u00e9e. Une fois lanc\u00e9e, en d\u00e9but de concert, elle ne peut s\u2019arr\u00eater qu\u2019un an apr\u00e8s, soit exactement au bout d\u2019un programme d\u2019une heure de musique. De l\u2019arr\u00eat brutal d\u2019un premier trimestre effr\u00e9n\u00e9 aux longues p\u00e9riodes de remise en question et de retour \u00e0 une \u00e9coute de notre environnement, nous avons concoct\u00e9 un r\u00e9pertoire insolite, fait de compositions et de pi\u00e8ces de r\u00e9pertoire.<\/p>

Lo\u00efc Gu\u00e9nin \u2022 juin 2021<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Production<\/strong> : Le Phare \u00e0 Lucioles<\/em>
Co-production<\/strong> : La Courroie<\/em>
Soutiens<\/strong> : -Sacem-Espace Culturel de Chaillol, dans le cadre du projet \u00abArtistes en pr\u00e9sence\u00bb.
La compagnie Le Phare \u00e0 Lucioles est conventionn\u00e9e par le Minist\u00e8re de la Culture (Direction R\u00e9gionale des Affaires Culturelles de Provence-Alpes-C\u00f4te d\u2019Azur). Elle re\u00e7oit le soutien du Fonds Europ\u00e9en Agricole pour le D\u00e9veloppement Rural (programme LEADER), de la R\u00e9gion Sud, du D\u00e9partement du Vaucluse, de la Communaut\u00e9 de Communes Ventoux-Sud, de la Commune de Sault, de la SACEM, du Centre National de la Musique, du D\u00e9partement des Bouches-du-Rh\u00f4ne, de la Maison de la Musique Contemporaine et de la SPEDIDAM. La compagnie est membre du r\u00e9seau Futurs Compos\u00e9e<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Dimanche 19 et lundi 20 mars 2023 \u00e0 20h23 La Trotteuse Lo\u00efc Gu\u00e9nin \u2022 composition, claviers analogiques, voix, percussions, objets sonoresAlice Pi\u00e9rot \u2022 composition, violon, voix, objets sonoresEric Brochard \u2022 patch informatique, r\u00e9gie sonThierry Llorens \u2022 r\u00e9gie g\u00e9n\u00e9rale et technique Aux c\u00f4t\u00e9s de l\u2019aiguille des heures et de celle des minutes se trouve parfois une […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5483","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2023.03.19-20 - 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