{"id":5589,"date":"2023-03-16T11:24:26","date_gmt":"2023-03-16T10:24:26","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=5589"},"modified":"2023-04-20T11:55:57","modified_gmt":"2023-04-20T09:55:57","slug":"en-savoir-2023-04-26-27","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2023-04-26-27\/","title":{"rendered":"en savoir + 2023.04.26-27"},"content":{"rendered":"\t\t
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Mercredi 26 avril 2023 \u00e0 20h23<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jeudi 27 avril 2023 \u00e0 20h23<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PASSAGGI<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Passerelles et virtuosit\u00e9s musicales, \ndu baroque italien \u00e0 la tradition corse<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ensemble\nLeviathan<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Direction artistique Lucille Tessier<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Lucile Tessier<\/b> \u2022 fl\u00fbtes et doulciane
Liselotte Emery<\/b> \u2022 fl\u00fbtes et cornet \u00e0 bouquin
Fanny Ch\u00e2telain<\/b> \u2022 chant
Loris Barrucand<\/b> \u2022 clavecin
Jean-Miguel Aristizabal <\/b>\u2022 orgue<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PASSAGGI<\/strong><\/em>, c’est au d\u00e9part une plong\u00e9e dans la musique virtuose de la fin du XVI\u00e8me et d\u00e9but du XVII\u00e8me si\u00e8cle italien, \u00e0 travers les transcriptions et adaptations des pi\u00e8ces vocales pour les instruments. Madrigaux orn\u00e9s et diminutions y c\u00f4toient des sonates pour les instruments \u00e9crites sur des chansons de l’\u00e9poque (la Monica, il\u00a0Ballo del Granduca…).\u00a0Ce programme explore cette p\u00e9riode de transformations, de passages d’une \u00e9poque et d’une esth\u00e9tique \u00e0 une autre : de la Renaissance au baroque, de la polyphonie \u00e0 la monodie, de la recherche d’une harmonie pleine et parfaite aux charmes baroques de la dissonance…\u00a0Depuis ce point de d\u00e9part (une premi\u00e8re version du programme a \u00e9t\u00e9 cr\u00e9\u00e9e en novembre 2019), l’ensemble a choisi d’aller explorer une autre \u00ab\u00a0passerelle\u00a0\u00bb, celle qui lie\u00a0les musiques anciennes aux r\u00e9pertoires traditionnels. Il s’associe pour cela \u00e0 la chanteuse Fanny Ch\u00e2telain, issue des r\u00e9pertoires corses et b\u00e9arnais mais qui collabore depuis plusieurs ann\u00e9es avec des ensembles de musique ancienne (La Fenice, La\u00a0Temp\u00eate…).\u00a0Ensemble, ils partent explorer les diff\u00e9rents timbres, les ornementations, tout ce qui pourra rassembler et nourrir mutuellement ces deux r\u00e9pertoires.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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L\u2019Ensemble Leviathan<\/b>, cr\u00e9\u00e9 par Lucile Tessier, rassemble de jeunes professionnels autour d\u2019un objectif commun : explorer l’expressivit\u00e9 de la musique baroque, et la faire partager \u00e0 un large public. Pour cela, il propose une double approche du r\u00e9pertoire : des concerts \u00ab traditionnels \u00bb, adapt\u00e9s \u00e0 tous les lieux et tous les publics, et des projets pluridisciplinaires, associant la musique baroque au th\u00e9\u00e2tre, aux arts plastiques ou \u00e0 d\u2019autres styles musicaux. <\/span><\/p>\n

Les premiers programmes de l\u2019ensemble gravitent autour de la musique de sc\u00e8ne anglaise du XVIIeme si\u00e8cle, parall\u00e8lement \u00e0 un travail de recherche musicologique qu\u2019entreprend Lucile Tessier sur ce sujet. L\u2019exploration musicale de ce r\u00e9pertoire souvent tr\u00e8s dramatique et contrast\u00e9 permet de construire une v\u00e9ritable identit\u00e9 sonore, mettant en priorit\u00e9 l\u2019expressivit\u00e9 et la richesse des timbres instrumentaux et vocaux. <\/span><\/p>\n

L\u2019ensemble s\u2019aventure \u00e0 pr\u00e9sent vers d\u2019autres contr\u00e9es musicales : des programmes autour de Bach, de Haendel et de la musique fran\u00e7aise du XVIII\u00e8me si\u00e8cle sont en pr\u00e9paration, avec toujours ce souci de recherche dans les vari\u00e9t\u00e9s de couleurs et d\u2019\u00e9motions. <\/span><\/p>\n

Cr\u00e9\u00e9 en 2015, l’ensemble a d\u00e9j\u00e0 eu l’occasion de se produire dans de prestigieux lieux parisiens (h\u00f4tel de Soubise, Petit Palais), dans de nombreux festivals fran\u00e7ais (Festival Baroque de Tarentaise, les Musicales de Normandie, Voce Humana) ainsi qu’\u00e0 l\u2019\u00e9tranger (festival Ars Ramovs, Slov\u00e9nie).<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Programme<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u0152uvres de Frescobaldi, Marini, Palestrina, et chants traditionnels corses<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ricercar sopra Sancta Maria<\/em>
G<\/strong>irolamo Frescobaldi <\/b>(1583-1643)<\/p>

Tota Pulchra Es<\/em>
Giovanni Pierluigi da Palestrina \/\/ Giovanni Bassano<\/strong><\/p>

Falsobordone del primo tono<\/em>
Severi \/ Cima \/ Asola (arr. Lucile Tessier)<\/strong><\/p>

Sonata sopra la Monica<\/em>
Philip Friedrich B\u00f6ddecker <\/strong>(1607 \u2013 1683)
G. Frescobaldi<\/strong><\/p>

Hor che tempo di dormire<\/em>
Tarquinio Merula<\/strong> (1595- 1665)<\/p>

U Lamentu di Ghesu<\/em>
Traditionnel corse<\/strong><\/p>

Sonata Sopra Fuggi Dolente<\/em>
Biagio Marini<\/strong><\/p>

U fortunatu<\/em>
Traditionnel corse<\/strong><\/p>

Io son ferito, ahi lasso<\/em>
Giovanni Pierluigi da Palestrina<\/strong> (1525-1594)
Giovanni Battista Bovicelli<\/strong> (1550 \u2013 1594)<\/p>

Lasso non \u00e8 cor mio<\/em>
Luca Marenzio<\/strong> (1553 – 1599)<\/p>

Balletto del granduca<\/em>
Jan Pieterszoon Sweelinck<\/strong> (1562 \u2013 1621)<\/p>

Sonata sopra Questa Dolce Sirena<\/em>
Marco Uccellini<\/strong> (1603 \u2013 1680)<\/p>

Paghella \u00ab Non mi farete sapene \u00bb<\/em> Traditionnel corse<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Mercredi 26 avril 2023 \u00e0 20h23 Jeudi 27 avril 2023 \u00e0 20h23 PASSAGGI Passerelles et virtuosit\u00e9s musicales, du baroque italien \u00e0 la tradition corse Ensemble Leviathan Direction artistique Lucille Tessier Lucile Tessier \u2022 fl\u00fbtes et doulcianeLiselotte Emery \u2022 fl\u00fbtes et cornet \u00e0 bouquinFanny Ch\u00e2telain \u2022 chantLoris Barrucand \u2022 clavecinJean-Miguel Aristizabal \u2022 orgue PASSAGGI, c’est au […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5589","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2023.04.26-27 - 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