{"id":5702,"date":"2023-05-02T09:42:09","date_gmt":"2023-05-02T07:42:09","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=5702"},"modified":"2023-05-07T11:33:40","modified_gmt":"2023-05-07T09:33:40","slug":"en-savoir-2023-05-14","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2023-05-14\/","title":{"rendered":"en savoir + 2023.05.14"},"content":{"rendered":"\t\t
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Dimanche 14 mai 2023 \u00e0 20h23<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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COMPLET<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Trio Unis Vers<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mathias L\u00e9vy<\/strong> \u2022 violon
S\u00e9bastien Giniaux<\/strong> \u2022 guitare et violoncelle
Jean-Philippe Viret<\/strong> \u2022 contrebasse<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00ab D\u2019un unique coup d\u2019archet, Mathias L\u00e9vy explose les formes et les traditions, se<\/em>
joue des idiomes, des mots et des sons avec une ma\u00eetrise \u00e9tourdissante. \u00bb<\/em>
Louis-Julien Nicolaou, T\u00e9l\u00e9rama<\/strong>

<\/em><\/p>

\u00ab A la fois lyrique et dansant, \u00ab Unis Vers \u00bb inscrit Mathias L\u00e9vy dans la droite ligne<\/em>
des Ponty, Lockwood et autre GrappellIi, forc\u00e9ment. \u00bb<\/em>
Alexandre Fournet, Jazz News<\/strong>

<\/em><\/p>

\u00ab La proposition se rel\u00e8ve d\u2019une beaut\u00e9 pure. \u00bb<\/em>
Alice Leclerq, Citizen Jazz<\/strong>
<\/p>

Mathias L\u00e9vy est comme son instrument : il ne conna\u00eet pas les fronti\u00e8res. Form\u00e9 \u00e0
l\u2019\u00e9cole classique, parti sur les chemins buissonniers du jazz manouche, ce musicien
\u00e9clectique, loin de s\u2019enfermer dans un style, multiplie les exp\u00e9riences, avec un talent
et une d\u00e9termination qui l\u2019imposent comme la nouvelle voix du violon en France.
Il a eu la chance d\u2019enregistrer pour la deuxi\u00e8me fois \u00e0 la Philharmonie de Paris sur
le violon de St\u00e9phane Grappelli pr\u00eat\u00e9 par le Mus\u00e9e de la Musique. Il a voulu pour
cela prolonger l\u2019aventure du trio de son pr\u00e9c\u00e9dent opus Revisiting Grappelli, avec
lequel s\u2019est d\u00e9velopp\u00e9 une grande complicit\u00e9 au fil des nombreux concerts.
Pour ce nouvel album, ils ont accueilli sur quelques titres deux invit\u00e9s prestigieux :
l\u2019accord\u00e9oniste Vincent Peirani et le violoncelliste Vincent Segal.
Unis Vers ne porte pas \u00e0 l\u2019\u00e9vidence son titre au hasard. De l\u2019unit\u00e9 acquise par le
trio sur le plan sonore jusqu\u2019\u00e0 ses respirations communes en passant par l\u2019\u00e9l\u00e9gance
de ses contrepoints, Mathias L\u00e9vy donne \u00e0 entendre un groupe qui a pleinement
trouv\u00e9 son \u00e9quilibre. Dans ce r\u00e9pertoire de compositions personnelles, il d\u00e9veloppe
une esth\u00e9tique acoustique, m\u00ealant influence classique, musique du monde et un
\u00ab jazz de chambre \u00bb solaire et po\u00e9tique.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Il y a eu le temps de l\u2019hommage, \u00ab Revisiting Grappelli \u00bb dans lequel Mathias L\u00e9vy saluait la contribution du divin St\u00e9phane Grappelli (1908-1997) \u00e0 la tradition du violon jazz. Voici d\u00e9sormais un second temps, celui qui consiste \u00e0 regarder vers l\u2019avenir, et proposer une musique, la sienne, qui soit celle d\u2019un groupe inspir\u00e9, cr\u00e9atif, audacieux. C\u2019est la raison d\u2019\u00eatre de cet \u00ab Unis vers \u00bb. Retourner sur les m\u00eames lieux \u2014 l\u2019amphith\u00e9\u00e2tre de la Cit\u00e9 de la Musique \u00e0 Paris \u2014 sous les micros du m\u00eame ing\u00e9nieur du son, le talentueux Philippe Teissier du Cros, et, surtout, retrouver le m\u00eame instrument : ce violon Hel, conserv\u00e9 dans les collections du mus\u00e9e de la Musique, qui appartint \u00e0 St\u00e9phane Grappelli qui en fit don en 1995. A la diff\u00e9rence pr\u00e8s qu\u2019il n\u2019\u00e9tait plus question de faire revivre la musique du ma\u00eetre, f\u00fbt-ce de la mani\u00e8re la plus personnelle, mais bien de d\u00e9velopper quelque chose qui soit la cons\u00e9quence directe de ce geste initial et une \u00e9volution naturelle de ce premier chapitre. D\u2019uni par la figure de Grappelli, le trio de Mathias L\u00e9vy s\u2019est trouv\u00e9 uni par soi-m\u00eame, c\u2019est-\u00e0-dire par sa propre inspiration, par ses propres aspirations, par son propre univers. Ce sont les m\u00eames musiciens, en effet, qui sont \u00e0 la base de ce second album. Un trio, avec lequel Mathias L\u00e9vy a d\u00e9velopp\u00e9 au fil du temps une v\u00e9ritable complicit\u00e9, avec lequel il partage une vision ouverte de la tradition musicale et une envie d\u2019\u00e9chapper aux cat\u00e9gories.<\/p>

Fort d\u2019une culture commune qui va de la musique ancienne au jazz le plus actuel en passant par la valse musette, Django, Bartok, Ornette Coleman ou le rock progressif, le trio se r\u00e9v\u00e8le ainsi comme une entit\u00e9 aux multiples facettes, changeant d\u2019un titre \u00e0 l\u2019autre avec d\u2019autant plus d\u2019\u00e9clat que viennent s\u2019ajouter \u00e0 l\u2019\u00e9ventail de ses reflets, par moments, les couleurs de l\u2019accord\u00e9on de Vincent Peirani et du violoncelle de Vincent S\u00e9gal, deux musiciens habitu\u00e9s, eux aussi, \u00e0 s\u2019affranchir des fronti\u00e8res stylistiques. Habile \u00e0 manier la polyrythmie, qui conf\u00e8re souvent \u00e0 son r\u00e9pertoire le caract\u00e8re de la danse, Mathias L\u00e9vy combine cette derni\u00e8re \u00e0 un lyrisme m\u00e9lodique assum\u00e9. Et si ses sources d\u2019inspiration en mati\u00e8re de composition vont, en l\u2019occurrence, de la musique pour tabla indienne aux chromatismes \u00e9tranges de Thelonious Monk en passant par l\u2019open tuning du folk ou les modes pentatoniques caract\u00e9ristiques des musiques \u00e9thiopiques, toutes se retrouvent m\u00eal\u00e9es dans une \u00e9criture qui conserve ses libert\u00e9s et, surtout, cherche avant tout \u00e0 pousser le soliste \u00e0 s\u2019\u00e9manciper. \u00ab Toute ma d\u00e9marche artistique est fond\u00e9e sur la croyance qu\u2019il se passe, quand on improvise, quelque chose qui ne pourrait se produire si c\u2019\u00e9tait \u00e9crit, et que cette chose en vaut la peine \u00bb, pointe le violoniste, qui ne perd jamais de vue la finalit\u00e9 de son travail d\u2019\u00e9criture, lui pour qui la prise de parole individuelle, au sein d\u2019un espace \u00e9difi\u00e9 collectivement, reste une exigence majeure. \u00ab Unis vers \u00bb ne porte, \u00e0 l\u2019\u00e9vidence, pas son titre au hasard. De l\u2019unit\u00e9 acquise par le trio sur le plan sonore jusqu\u2019\u00e0 ses respirations communes en passant par l\u2019\u00e9l\u00e9gance de ses contrepoints ou le tramage fusionnel de ses timbres, Mathias L\u00e9vy donne \u00e0 entendre, en effet, un groupe qui a pleinement trouv\u00e9 son \u00e9quilibre. Par sa capacit\u00e9 \u00e0 fondre dans son violon son large bagage musical, il confirme, surtout, qu\u2019il est bien digne de poser son archet sur les cordes de cet instrument marqu\u00e9 de l\u2019empreinte d\u2019un grand artiste et de l\u2019emmener, sans nostalgie, avec lui dans le XXIe si\u00e8cle.<\/p>

\u2013 Vincent Bessi\u00e8res<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PROGRAMME<\/strong><\/em><\/p>

Ginti thia\u00ef<\/strong><\/em> (Mathias Levy)
R\u00eave d\u2019 \u00c9thiopique<\/strong><\/em>\u00a0(Mathias Levy)
Home de l\u2019\u00eatre<\/em><\/strong>\u00a0 (Jean Philippe Viret)
Thelonious<\/em><\/strong> (Mathias Levy)
+ Soleil dans les feuilles d\u2019un arbre<\/em><\/strong>\u00a0(S\u00e9bastien Giniaux)
Kind of folk<\/em><\/strong>\u00a0(Mathias Levy)
Valse des monstres<\/strong><\/em>\u00a0(Mathias Levy)
Sur le fil<\/strong><\/em>\u00a0(Mathias Levy)
Extatique<\/em><\/strong>\u00a0(Mathias Levy)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Dimanche 14 mai 2023 \u00e0 20h23 COMPLET Trio Unis Vers Mathias L\u00e9vy \u2022 violonS\u00e9bastien Giniaux \u2022 guitare et violoncelleJean-Philippe Viret \u2022 contrebasse \u00ab D\u2019un unique coup d\u2019archet, Mathias L\u00e9vy explose les formes et les traditions, sejoue des idiomes, des mots et des sons avec une ma\u00eetrise \u00e9tourdissante. \u00bbLouis-Julien Nicolaou, T\u00e9l\u00e9rama \u00ab A la fois lyrique […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5702","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2023.05.14 - 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