{"id":5798,"date":"2023-05-15T15:04:05","date_gmt":"2023-05-15T13:04:05","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=5798"},"modified":"2023-05-26T10:09:54","modified_gmt":"2023-05-26T08:09:54","slug":"en-savoir-2023-05-25","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2023-05-25\/","title":{"rendered":"en savoir + 2023.05.25"},"content":{"rendered":"\t\t
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Jeudi 25 mai 2023 \u00e0 20h23<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Trio Karenine<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Paloma Kouider<\/strong> \u2022 piano
Doriane Gable<\/strong> \u2022 violon
Louis Rodde<\/strong> \u2022 violoncelle<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Berceuse, \u00c9l\u00e9gie, Habanera \u2026 comme un retour \u00e0 l\u2019enfance dans le rapport \u00e0 la m\u00e9lodie, ce programme convie l\u2019auditeur \u00e0 une innocence sonore, o\u00f9 l\u2019on se laisse conduire par ces chants nostalgiques pour un voyage au c\u0153ur d\u2019une Boh\u00eame r\u00eav\u00e9e.\u00a0
Apr\u00e8s nous \u00eatre \u00e9loign\u00e9s un temps du grand r\u00e9pertoire traditionnel du Trio avec piano \u00e0 l\u2019occasion de notre album de transcriptions Liszt-Schumann-Sch\u00f6nberg, nous revenons au projet qui guide nos r\u00e9alisations discographiques : celui d\u2019associer les \u0153uvres du grand r\u00e9pertoire que nous c\u00f4toyons au quotidien \u00e0 des d\u00e9couvertes, afin d\u2019offrir des perspectives sonores nouvelles \u00e0 des oeuvres profond\u00e9ment ancr\u00e9es dans notre \u00ab inconscient collectif \u00bb.
Nous avons donc choisi de nous plonger dans l\u2019embl\u00e9matique Trio op. 65 d\u2019Antonin Dvorak, sans doute sa plus belle r\u00e9alisation pour la formation, par ses dimensions imposantes d\u2019oeuvre-monde :\u00a0 tour-\u00e0-tour chant \u00e9perdu amoureux aux accents brahmsiens, r\u00eaverie bucolique \u00e0 la nostalgie pr\u00e9gnante, jaillissements jubilatoires d\u2019idiomes populaires moraves et de rythmes de danses traditionnelles tch\u00e8ques.\u00a0
Apr\u00e8s avoir mis en valeur dans nos pr\u00e9c\u00e9dents albums de rares opus de Weinberg ou Tailleferre, nous avons voulu faire re-d\u00e9couvrir ici un r\u00e9pertoire tr\u00e8s peu jou\u00e9 : le Trio\u00a0opus\u00a02 de\u00a0Josef\u00a0Suk et son \u00c9l\u00e9gie\u00a0opus\u00a023. Talentueux violoniste, Suk \u00e9tait \u00e9galement un compositeur en devenir et Dvorak, dont il \u00e9pousera plus tard la fille\u00a0Otilie,\u00a0son mentor. Son trio est une\u00a0\u0153uvre\u00a0de jeunesse fra\u00eeche et brillante,\u00a0o\u00f9 l’on reconna\u00eet\u00a0\u00e0 la fois l\u2019influence du ma\u00eetre et les \u00e9lans na\u00effs et touchants du jeune\u00a0et romantique virtuose.\u00a0L\u2019Elegie\u00a0opus\u00a023 compl\u00e8te le tableau onirique de cet album aux notes amoureuses.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Programme<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Josef SUK<\/strong> (1874-1935)
Trio en ut mineur opus 2
– Allegro <\/em>
– Andante <\/em>
– Vivace<\/em><\/p>

Josef SUK<\/strong> (1874-1935)
\u00c9l\u00e9gie opus 23<\/p>

Anton\u00edn DVO\u0158\u00c1K<\/strong> (1841-1904)
Trio n\u00b03 en fa mineur opus 65
– Allegro, ma non troppo <\/em>
– Allegretto grazioso <\/em>
– Poco Adagio <\/em>
– Finale – Allegro con brio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Le Trio Kar\u00e9nine est fond\u00e9 \u00e0 Paris en 2009 sous l\u2019impulsion de trois jeunes musiciens et amis. En r\u00e9f\u00e9rence \u00e0 la fougue et \u00e0 l\u2019\u00e9lan vital qui la caract\u00e9risent, ils ont choisi de porter le nom de la c\u00e9l\u00e8bre h\u00e9ro\u00efne de Tolsto\u00ef, Anna Kar\u00e9nine. Poursuivant son ascension depuis ses d\u00e9buts il y a maintenant plus de dix ans, l\u2019ensemble se produit d\u00e9sormais sur les sc\u00e8nes les plus prestigieuses : Frick Collection de New-York, Concertgebouw d\u2019Amsterdam, Konzerthaus de Berlin ou Philharmonie de Paris.
Tr\u00e8s rapidement apr\u00e8s leur rencontre, les trois musiciens int\u00e8grent la classe du Quatuor Ysa\u00ffe au CRR de Paris. Une formation qui leur donne le go\u00fbt de l\u2019homog\u00e9n\u00e9it\u00e9 du son commun, comme le cultivent les quatuors \u00e0 cordes. Leur soif d\u2019exigence et leur recherche stylistique les conduira par la suite sur les chemins d\u2019autres grands musiciens : Menahem Pressler, Alfred Brendel, Hatto Beyerle, Ferenc Rados, Jean-Claude Pennetier, Johannes Meissl, Avedis Kouyoumdjian ainsi que les membres du Trio Wanderer, qui les guideront et nourriront leurs sensibilit\u00e9s de chambristes.
Les membres du trio Kar\u00e9nine enseignent la musique de chambre au Royal Northern College of Music de Manchester dans le cadre d\u2019un r\u00e9sidence en 2019\/2020 et 2020\/2021.
Apr\u00e8s un premier prix au concours Charles Hennen aux Pays-Bas, le Prix Pro Musicis et celui de la Fondation Oulmont, le trio remporte en 2013 le prestigieux concours international de l\u2019ARD \u00e0 Munich, un prix qui r\u00e9v\u00e8le le jeune ensemble au public international et marque un tournant dans sa carri\u00e8re.
D\u00e9j\u00e0 habitu\u00e9 des sc\u00e8nes fran\u00e7aises (Pleyel, Auditorium du Louvre\u2026), le trio investit alors les salles de concerts \u00e0 l\u2019\u00e9tranger (Wigmore Hall de Londres, Salle Bourgie de Montr\u00e9al, Herkulessaal et Prinzregententheater \u00e0 M\u00fcnich, Leiszhalle de Hambourg, Auditorium de la Cit\u00e9 Interdite de P\u00e9kin) et fait ses d\u00e9buts dans de prestigieux festivals (la Roque d\u2019Anth\u00e9ron, les Rencontres Musicales d\u2019Evian, les Folles Journ\u00e9es de Nantes, Tokyo et Varsovie, les Fl\u00e2neries Musicales de Reims, le Festival Chopin \u00e0 Nohant\u2026). La cha\u00eene de t\u00e9l\u00e9vision Arte invite \u00e9galement les trois musiciens \u00e0 se produire dans sa s\u00e9rie \u00ab stars von Morgen \u00bb pr\u00e9sent\u00e9e par Rolando Villazon. Heureux de collaborer avec d\u2019autres artistes, le trio se produit avec Adrien La Marca, Marie Chilemme, H\u00e9l\u00e8ne Cl\u00e9ment, Alena Baeva, Rapha\u00ebl S\u00e9v\u00e8re\u2026 notamment au sein des Festspiele Mecklenburg-Vorpommern (Allemagne) qui lui d\u00e9cerne le Nordmetall-Ensemble Preis 2015 pour son interpr\u00e9tation de la Truite de Schubert, aux c\u00f4t\u00e9s de Krzysztof Chorzelski (Belcea Quartet) et Laur\u00e8ne Durantel.
Tr\u00e8s impliqu\u00e9 dans le discours musical contemporain, le Trio Kar\u00e9nine est le d\u00e9dicataire des All\u00e9es Sombres de Beno\u00eet Menut. En 2020 le trio cr\u00e9\u00e9 une \u0153uvre de Franck Krawczyk au Th\u00e9\u00e2tre des Bouffes du Nord \u00e0 Paris dans le cadre de la Belle Saison, ainsi qu\u2019un trio du clarinettiste Rapha\u00ebl S\u00e9v\u00e8re. Au programme de la saison 2021-2022, la cr\u00e9ation et l\u2019enregistrement d\u2019un nouveau Triple Concerto de Beno\u00eet Menut avec l\u2019Orchestre Royal de Chambre de Wallonie et Vahan Mardirossian, aux c\u00f4t\u00e9s du Triple Concerto de Philippe Hersant \u00ab Le Chant de l\u2019Isol\u00e9 \u00bb.
Le Trio Kar\u00e9nine enregistre pour le label Mirare les trios de Schumann (2016), fait red\u00e9couvrir le trio de Germaine Tailleferre aux c\u00f4t\u00e9s de Ravel et Faur\u00e9 (2018) et grave un disque de musique de l\u2019Est (2019), tous ayant re\u00e7u les meilleures critiques de la presse internationale (5 diapasons, 5 \u00e9toiles Classica, Gramophone Magazine, nomination au Preis der Deutschen Schallplattenkritik\u2026). Son nouvel opus, un album de transcriptions d\u2019\u0153uvres de Sch\u00f6nberg, Liszt et Schumann, a re\u00e7u un Choc de Classica, 5 diapasons et les \u00e9loges de la presse internationale. La violoniste Charlotte Juillard rejoint la pianiste Paloma Kouider et le violoncelliste Louis Rodde d\u00e9but 2021 pour poursuivre cette aventure.
Le Trio Kar\u00e9nine a re\u00e7u le soutien g\u00e9n\u00e9reux de l\u2019Acad\u00e9mie de Villecroze, de la Fondation Culture et Musique sous l\u2019\u00e9gide de la Fondation de France, de la Fondation Banque Populaire ainsi que de la Fondation \u00ab Musique et Vin au Clos Vougeot \u00bb. L\u2019 ADAMI est \u00e9galement un des plus fid\u00e8les soutien de l\u2019ensemble.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Jeudi 25 mai 2023 \u00e0 20h23 Trio Karenine Paloma Kouider \u2022 pianoDoriane Gable \u2022 violonLouis Rodde \u2022 violoncelle Berceuse, \u00c9l\u00e9gie, Habanera \u2026 comme un retour \u00e0 l\u2019enfance dans le rapport \u00e0 la m\u00e9lodie, ce programme convie l\u2019auditeur \u00e0 une innocence sonore, o\u00f9 l\u2019on se laisse conduire par ces chants nostalgiques pour un voyage au c\u0153ur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-5798","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2023.05.25 - lacourroie<\/title>\n<meta name=\"description\" content=\"%\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lacourroie.org\/index.php\/en-savoir-2023-05-25\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"en savoir + 2023.05.25 - lacourroie\" \/>\n<meta property=\"og:description\" content=\"%\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lacourroie.org\/index.php\/en-savoir-2023-05-25\/\" \/>\n<meta property=\"og:site_name\" content=\"lacourroie\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-26T08:09:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lacourroie.org\/wp-content\/uploads\/2023\/05\/trio-karenine-300x300.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/lacourroie.org\\\/index.php\\\/en-savoir-2023-05-25\\\/\",\"url\":\"https:\\\/\\\/lacourroie.org\\\/index.php\\\/en-savoir-2023-05-25\\\/\",\"name\":\"en savoir + 2023.05.25 - 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