{"id":8567,"date":"2024-12-10T22:11:28","date_gmt":"2024-12-10T21:11:28","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=8567"},"modified":"2024-12-11T14:57:21","modified_gmt":"2024-12-11T13:57:21","slug":"en-savoir-2024-12-31piano","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2024-12-31piano\/","title":{"rendered":"en savoir + 2024.12.31Piano"},"content":{"rendered":"\t\t
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D\u00c9CEMBRE 2024<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mardi 31 \u2022 20h24<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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REMI GENIET \u2022 piano<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PROGRAMME <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Domenico Scarlatti<\/strong>
K.490 cantabile
K.14 presto
K.213 andante
K.96 allegrissimo<\/p>

Maurice Ravel<\/strong>
Valses nobles et sentimentales<\/em>
\u2022 Mod\u00e9r\u00e9
\u2022 Assez lent
\u2022 Mod\u00e9r\u00e9
\u2022 Assez anim\u00e9
\u2022 Presque lent
\u2022 vif<\/p>

Serguei Prokofiev<\/strong>
Sonate n\u00b04<\/em>
\u2022 Allegro
\u2022 Allegro
\u2022 Adagio
\u2022 Allegro<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00ab C\u2019est instrumentalement intimidant, intellectuellement impressionnant et musicalement bouleversant. Le plus humain, beau, profond des Opus 110 entendus depuis longtemps \u00bb<\/em>
Alain Lompech, Diapason<\/p>

Plus jeune laur\u00e9at de l\u2019histoire du Concours international Beethoven de Bonn, Deuxi\u00e8me Prix du Concours International Reine \u00c9lisabeth de Belgique en 2013 \u00e0 vingt ans, R\u00e9mi Geniet a \u00e9t\u00e9 accueilli en 2015 au sein des Young Concert Artists de New York et a \u00e9t\u00e9 r\u00e9compens\u00e9 par le prestigieux Salon du Virtuosi de New York en 2020. Il s\u2019impose aujourd\u2019hui comme l\u2019un des pianistes les plus brillants de sa g\u00e9n\u00e9ration.<\/span>
R\u00e9mi Geniet est invit\u00e9 \u00e0 se produire avec de nombreux orchestres d\u2019envergure internationale, tels l\u2019Orchestre de la Suisse Romande, l\u2019Orchestre symphonique de Barcelone, l\u2019Orchestre philharmonique du Luxembourg, l\u2019Orchestre national de Belgique, l\u2019Orchestre d\u2019Auvergne, l\u2019Orchestre national de Lille, l\u2019Orchestre national d’\u00cele-de-France, l\u2019Orchestre symphonique de Saint Louis, l\u2019Orchestre philharmonique de Saint-P\u00e9tersbourg et l\u2019Orchestre philharmonique de l\u2019Oural. Il collabore r\u00e9guli\u00e8rement avec des chefs renomm\u00e9s ; citons Marin Alsop, Emmanuel Krivine, Okko Kamu, Edo de Waart, Thomas Sanderling, Alan Buribayev, Enrique Mazolla, Ernest Martinez Izquierdo, J\u00e9r\u00e9mie Rhorer, Christian Arming, Robert Trevino, David Niemann, Roberto For\u00e9s Veses, Eduard Topchjan, Adrian Leaper et Pavel Gerstein.<\/span>
En r\u00e9cital, il se produit dans les plus grandes salles et festivals fran\u00e7ais, \u00e0 l\u2019exemple de l\u2019Auditorium du Louvre, Piano aux Jacobins, Piano \u00e0 Lyon, le Festival International de Piano de La Roque d\u2019Anth\u00e9ron, le Festival de Radio France Occitanie Montpellier, La Folle Journ\u00e9e de Nantes, la Grange de Meslay, Lille Piano(s) Festival, pour n\u2019en citer que quelques-uns. Il a ouvert la s\u00e9rie de concerts \u00ab L\u2019\u00e2me du piano \u00bb \u00e0 la Salle Gaveau, ainsi que la saison inaugurale de la \u00ab New Generation \u00bb \u00e0 la Fondation Louis Vuitton, ce qui lui a valu des critiques \u00e9logieuses de la presse.<\/span>
A l\u2019international, il est invit\u00e9 au Carnegie Hall (Zankel Hall), au Morgan Library, au Gasteig de Munich, au NDR Hanover, \u00e0 la Grande salle du Conservatoire de Moscou, mais aussi \u00e0 Vienne, Gen\u00e8ve, Gand, Bruxelles, en Allemagne et en Pologne. Parmi les nombreux festivals internationaux qui l\u2019ont accueilli, citons Verbier, Colmar, le Festival de Mecklenburg-Vorpommern, le Duszniki Chopin Festival, Chopin Festival Marienbad, le Festival d\u2019Hiver sur la Place des Arts de Saint-P\u00e9tersbourg, La Folle Journ\u00e9e au Japon, le Festival Euriade des Pays-Bas, le Festival Bach de Montr\u00e9al et le Festival Interlaken Classics en Suisse. D\u00e9but 2016, R\u00e9mi a \u00e9t\u00e9 invit\u00e9 par Renaud Capu\u00e7on \u00e0 participer aux Sommets Musicaux de Gstaadt, o\u00f9 il a remport\u00e9 le prix \u00ab Andr\u00e9 Hoffmann \u00bb.<\/span>
R\u00e9guli\u00e8rement invit\u00e9 en Asie, il joue avec l\u2019Orchestre Symphonique KBS, le Hong Kong Sinfonietta, le Hyogo PAC Orchestra, le Kansai Philharmonic et les orchestres symphoniques d\u2019Hiroshima et de Gunma, ainsi qu\u2019en r\u00e9cital \u00e0 Tokyo Bunka Kaikan, au National Concert Hall, \u00e0 Taiwan, Kumho Art Hall \u00e0 S\u00e9oul et \u00e0 la Folle Journ\u00e9e au Japon.<\/span>
Lors de la saison 2019-2020, R\u00e9mi Geniet s\u2019est produit en concerto avec de nombreux orchestres d\u2019envergure : l\u2019Orchestre national d\u2019Ile-de-France, l’Orchestre Philharmonique Royal de Li\u00e8ge, l\u2019Orchestre de Besan\u00e7on Victor-Hugo Franche-Comt\u00e9, l\u2019Orchestre de Pau Pays de B\u00e9arn. Il a \u00e9galement donn\u00e9 des r\u00e9citals \u00e0 la Salle Gaveau dans le cadre de la s\u00e9rie des Concerts de Monsieur Croche, ainsi qu\u2019\u00e0 l\u2019auditorium de Radio France \u00e0 l\u2019occasion de la c\u00e9l\u00e9bration des 250 ans de Beethoven. R\u00e9mi Geniet a \u00e9galement \u00e9t\u00e9 invit\u00e9 \u00e0 faire ses d\u00e9buts avec le Camerata Salzburg, \u00e0 l’Orchestre symphonique de Seattle, ainsi qu\u2019au Salon Virtuosi de New York. Il fut programm\u00e9 aux Rencontres Musicales d\u2019Evian aux c\u00f4t\u00e9s d\u2019Emmanuel Tjeknovarian. Malheureusement, ces \u00e9v\u00e9nements ont \u00e9t\u00e9 annul\u00e9s suite \u00e0 la crise du Covid-19.<\/span>
\u00c0 l\u2019\u00e9t\u00e9 2020, R\u00e9mi Geniet s\u2019est produit \u00e0 la Chapelle de l\u2019Ermitage du Font-Romeu, ainsi qu\u2019au Festival international de la Roque d’Anth\u00e9ron et aux Pianos Folies du Touquet Paris-Plage.<\/span>
En 2020-2021, R\u00e9mi Geniet interpr\u00e9tera le Concerto n\u00b05 de Beethoven avec l\u2019Orchestre de Chambre Nouvelle Europe sous la direction de Nicolas Krauze. Il jouera \u00e9galement avec l\u2019Orchestre National des Pays de la Loire en novembre 2020.<\/span>
En musique de chambre, ses partenaires comptent parmi les plus grands artistes de leur g\u00e9n\u00e9ration \u2013 Alexandra Soumm, Aur\u00e9lien Pascal, Rapha\u00ebl S\u00e9v\u00e8re et Daniel Lozakovitj, avec qui il s\u2019est produit \u00e0 la Salle Moli\u00e8re \u00e0 Lyon et au Festival de P\u00e2ques \u00e0 Aix-en-Provence. Il a \u00e9galement collabor\u00e9 avec des artistes \u00e9tablis comme Augustin Dumay.<\/span>
R\u00e9mi Geniet a enregistr\u00e9 un album enti\u00e8rement consacr\u00e9 \u00e0 Bach paru chez Mirare, qui a re\u00e7u un \u00ab Diapason d\u2019Or de l\u2019ann\u00e9e \u00bb en 2015. Son deuxi\u00e8me enregistrement, d\u00e9di\u00e9 \u00e0 Beethoven et sorti en mars 2017, a \u00e9galement re\u00e7u les \u00e9loges de la presse.<\/span>
R\u00e9mi Geniet a fait ses \u00e9tudes au Conservatoire national sup\u00e9rieur de Musique de Paris avec Brigitte Engerer et \u00e0 l\u2019\u00c9cole Normale de Musique Alfred Cortot dans la classe de Rena Shereshevskaya ; il a \u00e9galement travaill\u00e9 avec Evgeni Koroliov \u00e0 Hambourg et \u00e9tudi\u00e9 la direction d\u2019orchestre aupr\u00e8s de George Pehlivanian.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

D\u00c9CEMBRE 2024 Mardi 31 \u2022 20h24 REMI GENIET \u2022 piano PROGRAMME Domenico ScarlattiK.490 cantabileK.14 prestoK.213 andanteK.96 allegrissimo Maurice RavelValses nobles et sentimentales\u2022 Mod\u00e9r\u00e9\u2022 Assez lent\u2022 Mod\u00e9r\u00e9\u2022 Assez anim\u00e9\u2022 Presque lent\u2022 vif Serguei ProkofievSonate n\u00b04\u2022 Allegro\u2022 Allegro\u2022 Adagio\u2022 Allegro \u00ab C\u2019est instrumentalement intimidant, intellectuellement impressionnant et musicalement bouleversant. Le plus humain, beau, profond des Opus 110 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-8567","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2024.12.31Piano - 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