{"id":9205,"date":"2025-10-13T12:06:11","date_gmt":"2025-10-13T10:06:11","guid":{"rendered":"https:\/\/lacourroie.org\/?page_id=9205"},"modified":"2025-10-25T22:16:41","modified_gmt":"2025-10-25T20:16:41","slug":"en-savoir-2025-10-30-31","status":"publish","type":"page","link":"https:\/\/lacourroie.org\/index.php\/en-savoir-2025-10-30-31\/","title":{"rendered":"en savoir + 2025.10.30-31"},"content":{"rendered":"\t\t
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OCTOBRE 2025<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jeudi 30<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vendredi 31<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00e0 20h25<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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! COMPLET !<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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C'est \u00e9patant, la musique moderne !<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ensemble Cl\u00e9ment Janequin<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dominique Visse, Martial Pauliat, Vincent Bouchot, Igor Bouin, Renaud Delaigue \u2022 voix<\/strong>
Benjamin d’Anfray \u2022 piano<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Boby, Juliette, Johnny et les autres ...<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Depuis bient\u00f4t 50 ans, l’Ensemble Cl\u00e9ment Janequin se consacre au r\u00e9pertoire franco-flamand du XVI\u00e8me si\u00e8cle, renouvelant l’approche du genre, proposant des interpr\u00e9tations qui reposent \u00e0 la fois sur le travail musicologique exceptionnel men\u00e9 par Dominique Visse (des milliers de transcriptions \u00e0 son actif, \u00e0 partir des \u00e9ditions de l’\u00e9poque) et un sens aigu du th\u00e9\u00e2tre vocal.
\u00c0 la marge de ce fonds de r\u00e9pertoire renaissant, l’ensemble a parfois aim\u00e9 revendiquer son cousinage avec des groupes comme les Fr\u00e8res Jacques<\/strong> ou les King Singers<\/strong>, et cultiver son int\u00e9r\u00eat pour la musique d’aujourd’hui, qu’il s’agisse de chansons arrang\u00e9es ou de musique classique contemporaine. Une s\u00e9rie de concerts et de spectacles \u00e0 la P\u00e9niche Op\u00e9ra, notamment, \u00e0 l’initiative de Mireille Larroche, nous a permis d’explorer cette facette de la polyphonie et d’y prendre go\u00fbt.
L’id\u00e9e nous est venue de rassembler ces arrangements et ces digressions qui n’\u00e9taient jusque-l\u00e0 que des contrepoints \u00e0 notre r\u00e9pertoire de base, et d’en faire un programme entier : les Janequin modernes, en somme ! Modernit\u00e9 qui commence avec Rossini<\/strong> et Offenbach<\/strong>, et s’ach\u00e8ve avec Johnny<\/strong>, dont Dominique Visse est un fan de toujours, en passant bien s\u00fbr par quelques incontournables des Fr\u00e8res Jacques : La Confiture, Les Fesses, M\u00e9li-m\u00e9lo…
Et si le r\u00e9pertoire change radicalement de si\u00e8cle, les th\u00e8mes des chansons, eux, restent \u00e9trangement stables, \u00e0 croire que l’\u00eatre humain a d’\u00e9ternelles fid\u00e9lit\u00e9s \u00e0 ce qui le passionne pour de vrai : la vie, la mort, l’amour … et la charcuterie !<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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PROGRAMME<\/strong><\/p>

R\u00e9pertoire des Fr\u00e8res Jacques<\/strong> : M\u00e9li-m\u00e9lo<\/span><\/p>

La bouffe<\/strong><\/span>
Giocchino Rossini<\/strong> : La Recette du tournedos\u00a0<\/span>
Jacques Offenbach<\/strong> : Trio du gril\u00a0<\/span>
Juliette Noureddine<\/strong> : Tout est bon dans l’cochon<\/span>
Boby Lapointe<\/strong> : La Maman des poissons<\/span>
Maurice Magre \/ Kurt Weil<\/strong> : La Complainte de la Seine<\/span>
Jacques Pr\u00e9vert \/ Joseph Kosma<\/strong> : La P\u00eache \u00e0 la baleine<\/span>
R\u00e9pertoire des Fr\u00e8res Jacques<\/strong> : La Confiture<\/span>
Vincent Bouchot<\/strong> : Entracte<\/span><\/p>

L’amour, la mort, la vie.<\/strong><\/span>
Cl\u00e9ment Janequin<\/strong> : L’amour, la mort et la vie<\/span>
R\u00e9pertoire des Fr\u00e8res Jacques<\/strong> : 300 millions<\/span>
Herv\u00e9<\/strong> : Le Beau Pompier<\/span>
r\u00e9pertoire de Johnny<\/strong> : Requiem pour un fou<\/span>
R\u00e9gis Campo<\/strong> : Une puce<\/span>
R\u00e9pertoire des Fr\u00e8res Jacques<\/strong> : Les Fesses<\/span>
Vincent Scotto<\/strong> : Le Cri du poilu<\/span>
Jacques Pr\u00e9vert \/ Joseph Kosma<\/strong> : Deux escargots s’en vont \u00e0 l’enterrement d’une feuille morte<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cr\u00e9\u00e9 \u00e0 Paris en 1978, l’Ensemble Cl\u00e9ment Janequin se consacre \u00e0 la musique profane et sacr\u00e9e de la Renaissance, de Josquin \u00e0 Monteverdi. Son inimitable interpr\u00e9tation de la chanson parisienne du XVIe si\u00e8cle a fait red\u00e9couvrir un des \u00e2ges d’Or de l’histoire de la musique fran\u00e7aise, ses enregistrements Les Cris de Paris, Le Chant des Oyseaulx, Fricass\u00e9e Parisienne et La Chasse chez harmonia mundi faisant figure de r\u00e9f\u00e9rence. Ces \u0153uvres de Janequin, Sermisy, Bertrand, Costeley, Lassus, Le Jeune… illustrent les contrastes dont la Renaissance est si friande : le lyrisme \u00e9mouvant des chansons amoureuses et l’humour truculent des chansons rustiques inspir\u00e9es des contes et farces populaires, bruits de la nature, de la rue ou de la guerre – un v\u00e9ritable rapprochement entre l’art populaire et l’art savant.
L\u2019Ensemble Cl\u00e9ment Janequin donne des concerts \u00e0 travers le monde. Il s\u2019est produit, entre autres, au Concertgebouw d\u2019Amsterdam, au Wigmore Hall \u00e0 Londres, \u00e0 la Cit\u00e9 de la musique, au Th\u00e9\u00e2tre de la Ville et au Mus\u00e9e de l\u2019Arm\u00e9e \u00e0 Paris, au Capitole de Toulouse, au Carnegie Hall \u00e0 New York, au Konzerthaus \u00e0 Vienne, aux Festivals, d’Innsbruck, de Musique Ancienne de Boston, de York, de Styriarte \u00e0 Graz, de Bruges et Utrecht, au musical de Namur, au Laus Polyphoniae \u00e0 Anvers. Il est invit\u00e9 aux Festivals Concentus Moraviae en Tch\u00e9quie, Rougemont en Suisse, au Thoronet, Festival Baroque du Jura, au Ch\u00e2teau de Fontainebleau et au Palais du Tau \u00e0 Reims, au Palais des Papes \u00e0 Avignon, \u00e0 l\u2019Abbaye de Sor\u00e8ze, la Cit\u00e9 de la Voix \u00e0 V\u00e9zelay, au Festival de la Chaise-Dieu, la Chapelle du M\u00e9jan \u00e0 Arles, au Palais National de Sintra \u00e0 Lisbonne. On le retrouve en tourn\u00e9e en Australie, en Espagne, au Canada et aux \u00c9tats-Unis, en Belgique, au Festival Cervantino au Mexique, au Br\u00e9sil, et il est, en outre, r\u00e9guli\u00e8rement invit\u00e9 au Japon.
L\u2019Ensemble Cl\u00e9ment Janequin interpr\u00e8te \u00e9galement de la musique contemporaine et propose des programmes allant de la Renaissance \u00e0 nos jours. Elle cr\u00e9e des oeuvres de Philippe Manoury, R\u00e9gis Campo, Vincent Bouchot, Claude Ledoux, Bruno Ducol, Caroline Mar\u00e7ot, Claire-M\u00e9lanie Sinnhuber, Patrick Burgan et Aur\u00e9lien Dumont.
En 2020, l’Ensemble Cl\u00e9ment Janequin enregistre en coproduction avec le Th\u00e9\u00e2tre \u00e9lisab\u00e9thain du Ch\u00e2teau d’Hardelot et avec l’aide de l’ADAMI, un CD pour le label Ricercar consacr\u00e9 \u00e0 Josquin Desprez, le compositeur le plus c\u00e9l\u00e8bre de son temps, en comm\u00e9moration des 500 ans de sa mort en 1521. Par la suite, en 2021 et 2022, l’Ensemble rend un vibrant hommage \u00e0 Josquin avec son programme Mille Regretz de vous abandonner qui tournera dans toute l\u2019Europe avec l\u2019aide du Centre national de la musique.
En 2024, l\u2019Ensemble Cl\u00e9ment Janequin et Les Sacqueboutiers cr\u00e9ent, pour le Printemps des Arts de Monte-Carlo, le programme Pierre de La Rue : L’homme arm\u00e9, larmes et alarmes qui a \u00e9t\u00e9 repris en tourn\u00e9e en France et en Europe, \u00e9galement avec l\u2019aide du Centre national de la musique et l\u2019ADAMI.
Ses nombreux enregistrements de musique sacr\u00e9e et profane de la Renaissance, principalement sur le label harmonia mundi, sont encens\u00e9s par la critique et remportent de nombreux prix fran\u00e7ais et internationaux.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tinfos pratiques<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

OCTOBRE 2025 Jeudi 30 Vendredi 31 \u00e0 20h25 ! COMPLET ! C’est \u00e9patant, la musique moderne ! Ensemble Cl\u00e9ment Janequin Dominique Visse, Martial Pauliat, Vincent Bouchot, Igor Bouin, Renaud Delaigue \u2022 voix Benjamin d’Anfray \u2022 piano Boby, Juliette, Johnny et les autres … Depuis bient\u00f4t 50 ans, l’Ensemble Cl\u00e9ment Janequin se consacre au r\u00e9pertoire franco-flamand […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"right-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-9205","page","type-page","status-publish","hentry"],"yoast_head":"\nen savoir + 2025.10.30-31 - lacourroie<\/title>\n<meta name=\"description\" content=\"%\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lacourroie.org\/index.php\/en-savoir-2025-10-30-31\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"en savoir + 2025.10.30-31 - lacourroie\" \/>\n<meta property=\"og:description\" content=\"%\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lacourroie.org\/index.php\/en-savoir-2025-10-30-31\/\" \/>\n<meta property=\"og:site_name\" content=\"lacourroie\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-25T20:16:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lacourroie.org\/wp-content\/uploads\/2025\/10\/Les-Freres-Jacques.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"321\" \/>\n\t<meta property=\"og:image:height\" content=\"320\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/lacourroie.org\\\/index.php\\\/en-savoir-2025-10-30-31\\\/\",\"url\":\"https:\\\/\\\/lacourroie.org\\\/index.php\\\/en-savoir-2025-10-30-31\\\/\",\"name\":\"en savoir + 2025.10.30-31 - 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